Introduction: literary production and cultural democracy -- Chilean literary culture since 1970: a panorama -- Ergo sum: self-publication and the book-object under dictatorship -- Cartonera publishers: artisanal and industrial book production in neoliberal Chile -- Libros de mentira: fake books, digital matter, and cultural democracy 2.0 -- Santiago en 100 palabras: mass literature, cultural sponsorship, and globalization -- Conclusion: rethinking the field of cultural production: cultural agency, minority literature, and cultural studies scholarship -- Afterword: feminist research and pedagogy as forms of craft
