| Description |
1 online resource (262 pages) |
| Contents |
Introduction: visible ruptures, invisible borders -- The century's illuminations: the enlightenment mode in Korean cinema -- Regimes within regimes: film and fashion in the Korean 1950s -- Authorship and the location of cinema: in the region of Shin films -- Melodrama and the scene of development -- "It's all fake": Shin Sang-ok's North Korean revisions -- Conclusion: post-development pictures |
| Summary |
'Split Screen' offers an analysis of the career of Sin Sang-ok, arguably the most important Korean filmmaker of the postwar era. It also furnishes an examination of key aspects of modern Korea, from the politics of mass culture to the cultural effects of geopolitical division. The book pursues these dual aims through its eclectic methodology, combining close readings of a broad range of films with documentary research into the industrial and political conditions of film production and through engagement with a variety of theoretical literatures in both English and Korean |
| Bibliography |
Includes bibliographical references (pages 241-251) and index |
|
Includes filmography |
| Notes |
English |
|
Print version record |
| Subject |
Sin, Sang-ok, 1926-2006 -- Criticism and interpretation
|
| SUBJECT |
Sin, Sang-ok, 1926-2006 fast |
| Subject |
PERFORMING ARTS -- Reference.
|
|
PERFORMING ARTS -- Film & Video -- History & Criticism.
|
|
Motion pictures
|
| SUBJECT |
Korea (South) -- In motion pictures
|
| Subject |
Korea (South)
|
| Genre/Form |
Electronic books
|
|
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| ISBN |
9781452941509 |
|
1452941505 |
|
9781452941516 |
|
1452941513 |
|
1306805244 |
|
9781306805247 |
|
9781452949512 |
|
1452949514 |
|
