| Description |
1 online resource (xi, 346 pages) : illustrations |
| Contents |
Part I. Film reviews : The cinema of the French New Wave and the illusionism of SITE architects: Les carabiniers, 1963 -- The architecture of Diller and Scofidio: the screen and surveillance: Das experiment, 2001 -- The "cut" in the architecture of Jean Nouvel and the scenery of Ken Adam: You only live twice, 1967 -- The visual narratives of Resnais in the architecture of Carlo Scarpa: Hiroshima Mon Amour, 1959 -- German Baroque architecture and the filming of Resnais: a fusion: Last year in Marienbad, 1961 -- Sigfreid Giedion, Rem Koolhaas and the fragmentary architecture of the city, Run Lola run: 1998 -- The aesthetics and formalism of Godfrey Reggio in the projects of Jean Nouvel: Koyaanisqatsi, 1982 -- Boullée on film: an architectural cinematography: The belly of an architect, 1987 -- Playtime: a commentary on the art of the Situationists, the philosophy of Henri Lefebvre and the architecture of the modern movement: Playtime, 1967 -- Venturi and Antonioni: the modern city and the phenomenon of the moving image: Zabriskie Point, 1970 -- Part II. Applying film to architecture : Video installation: Hybrid artworks -- The physical experience of space and the sensorial perception of image : Performance 1. Shadows ; Performance 2. Memories ; Performance 3. Echoes ; Incidental legacy: a technical description -- The physical experience of image and the sensorial perception of space : The world imagined by Diller and Scofidio ; Performance: Jet lag ; Installation: Loophole ; Architecture: The slow house -- Cinematographic architecture: exercises in theory and practice -- Cinematographic space: a study of Citizen Kane : [Scenes 1-4] Citizen Kane -- From the contradictions of film to the creativity of architecture: design workshop : Stage 1. Cinematographic analysis of film ; Stage 2. Filming space ; Stage 3. Storyboarding spaces ; Stage 4. Storyboarding architectural events ; Stage 5. Design proposals -- Part III Conceptual essays : The hybridisation of sight in the hybrid architecture of sport: the effects of television on stadia and spectatorship -- Cinematic movement in the work of Le Corbusier and Sergei Eisenstein -- The historical construction of cinematic space: an architectural perspective on the films of Jean Renoir and Yasujiro Ozu -- Cinematic phenomenology in architecture: the Cartier Foundation, Paris, Jean Nouvel -- Cinematic space and time: the morphing of a theory in film and architecture |
| Summary |
"With the birth of film came the birth of a revolutionary visual language. This new, unique vocabulary - the cut, the fade, the dissolve, the pan, and the new idea of movement - gave not only artists but also architects a completely new way to think about and describe the visual. The Architecture of the Screen examines the relationship between the visual language of film and the onscreen perception of space and architectural design, revealing how film's visual vocabulary influenced architecture in the twentieth century and continues to influence it today. Graham Cairns draws on film reviews, architectural plans, and theoretical texts to illustrate the unusual and fascinating relationship between the worlds of filmmaking and architecture."--Provided by publisher |
| Bibliography |
Includes bibliographical references and indexes |
| Notes |
Print version record and online resource; title from PDF title page (ebrary, viewed January 13, 2014) |
| Subject |
Motion pictures -- Philosophy
|
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Space (Architecture) -- In motion pictures
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Architecture in motion pictures.
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Architectural design -- In motion pictures
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Motion pictures -- Influence
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PERFORMING ARTS -- Reference.
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Architecture in motion pictures.
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Motion pictures -- Influence.
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Motion pictures -- Philosophy.
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TECHNOLOGY & ENGINEERING / Power Resources / General
|
| Form |
Electronic book
|
| Author |
Penz, François, writer of foreword.
|
|
Rose, Holly
|
| ISBN |
9781783202119 |
|
1783202114 |
|
9781783202126 |
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1783202122 |
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