| Description |
1 online resource (xv, 462 pages) : illustrations |
| Series |
Studies in medieval and Renaissance music ; 21 |
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Studies in medieval and Renaissance music ; 21
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| Contents |
Introduction: The Codex Buranus : a unique challenge / Tristan E. Franklinos and Henry Hope -- A modern reception history of the Codex Buranus in image and sound / Kirsten Yri -- Parody in the Codex Buranus / Carmen Cardelle de Hartmann -- Satire in the Codex Buranus / David A. Traill -- 'Artes amatorie iam non instruuntur' : learned and erotic discourse in the Carmina Burana / Albrecht Classen -- Classical learning and audience in the carmina amatoria : a case-study on CB 92 / Tristan E. Franklinos -- Rape, the pastourelle, and the female voice in CB 185 / Jonathan Seelye Martin -- Re-thinking the Carmina Burana III : the poetry of peasants / Peter Godman -- Predestination and God's grace : the Salvific architecture of the religious songs in the Codex Buranus / Racha Kirakosian -- Revisiting the plays of the Codex Buranus / Johann Drumbl -- Revisiting the music of the Codex Buranus / Heike Sigrid Lammers-Harlander -- Locating the Codex Buranus : notational contexts / Charles E. Brewer -- Plurilingualism in the Codex Buranus : an intercultural reconsideration / Michael Stolz -- Compilation, contrafacture, composition : revisiting the German texts of the Codex Buranus / Henry Hope -- Afterword: Multiformis armonia, scolaris symphonia / Gundela Bobeth |
| Summary |
"The Codex Buranus, compiled, in all likelihood, in South Tyrol in the first half of the thirteenth century, has fascinated modern scholars and performers ever since its rediscovery in 1803. Its diverse range of texts (some famously featuring in Carl Orff's Carmina Burana) and music gives testimony to the intensely vibrant, plurilingual, and multicultural milieu in which the Codex Buranus was compiled, but poses a challenge to modern users. Perhaps more so than many other medieval manuscripts, it is an artefact which demands, and benefits from, an interdisciplinary approach. The chapters here, from scholars in a variety of fields, enable the less well-known aspects of the Codex Buranus; textual, musical, and artistic; to receive greater scrutiny, and bring new perspectives to bear on the more thoroughly explored parts of the manuscript. Making accessible existing discourse and encouraging fresh debates on the codex, the essays advocate fresh modes of engagement with its contents, contexts, and composition. They also examine questions of its reception history and audience."--Publisher's description |
| Bibliography |
Includes bibliographical references (pages 405-442) and indexes |
| Notes |
Online resource; title from digital title page (JSTOR, viewed June 1, 2022) |
| SUBJECT |
Bayerische Staatsbibliothek -- Manuscrit. Clm 4660. ram (FrPBN)17894912 |
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Carmina Burana. http://id.loc.gov/authorities/names/n80098192
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Carmina Burana fast |
| Subject |
Songs, Latin (Medieval and modern) -- History and criticism
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Students' songs -- Europe -- History and criticism
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Latin literature -- History and criticism
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Palaeography (history of writing)
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Literary studies: classical, early & medieval.
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MUSIC / History & Criticism.
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Latin literature
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Songs, Latin (Medieval and modern)
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Students' songs
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Europe
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| Genre/Form |
Criticism, interpretation, etc.
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| Form |
Electronic book
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| Author |
Franklinos, T. E. (Tristan Emil), 1989- editor
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Hope, Henry, 1986- editor
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| ISBN |
9781787446274 |
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1787446271 |
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