| Description |
1 online resource (277 pages) : illustrations (chiefly color) |
| Series |
Film and media studies |
|
Film and media studies (Boston, Mass.)
|
| Contents |
The cultural euphemism of kul'tura : Soviet nostalgia on the Russia-K Channel / Alyssa DeBlasio -- The great patriotic serial : penal battalion (Shtrafbat), historical taboos, and the beginnings of the new national idea / Stephen M. Norris -- Orlova and Aleksandrov redux : The TV series / Rimgaila Salys -- Putin-era television productions about Catherine the Great : active measures as period drama / Elena Prokhorova and Alexander Prokhorov -- Between pornography and nostalgia : Valery Todorovsky's The Thaw (Ottepel') / Lilya Kaganovsky -- The state of affairs : screwing family values in Putin's Russia / Tatiana Mikhailova -- Glocalizing neo-noir : Iury Bykov's The method and Sleepers / Elena Prokhorova, Alexander Prokhorov, and Rimgaila Salys -- Queer families : gender, sexuality, and the neoliberal state on Russian television / Vlad Strukov -- The web series Bitches (Stervochki) and post-legacy television in Russia / Saara Ratilainen -- Alexander Dulerain : Television Producer and Showrunner -- Sergei Fiks : producer and studio executive -- Denis Gorelov : scriptwriter, executive producer, and film critic -- Natalia Meshchaninova : director and scriptwriter -- Maksim Stishov : producer, showrunner, and scriptwriter |
| Summary |
"Russian TV Series in the Era of Transition examines contemporary Russian television genres in the age of transition from broadcast to post-broadcast television. Focusing on critical debates and the most significant TV series of the past two decades, the volume's contributors-the leading US and European scholars studying Russian television, as well as the leading Russian TV producers and directors-focus on three major issues: Russian television's transition to digital post-broadcast economy, which redefined the media environment; Russian television's integration into global television markets and their genre systems; and major changes in the representation of gender and sexuality on Russian television"-- Provided by publisher |
| Analysis |
Russia |
|
SVoD |
|
art |
|
cable networks |
|
contemporary |
|
culture |
|
entertainment |
|
family |
|
film |
|
gender |
|
genre |
|
kultura |
|
media |
|
nationalism |
|
patriarchy |
|
post-Soviet |
|
post-broadcast |
|
quality drama |
|
queer studies |
|
streaming |
|
television |
|
writing |
| Bibliography |
Includes bibliographic references |
| Notes |
Description based on online resource; title from digital title page (viewed on April 29, 2022) |
| Subject |
Television series -- Russia (Federation) -- History and criticism
|
|
Television broadcasting -- Russia (Federation) -- History
|
|
PERFORMING ARTS / Television / History & Criticism
|
|
Television broadcasting
|
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Television series
|
|
Russia (Federation)
|
| Genre/Form |
Criticism, interpretation, etc.
|
|
History
|
| Form |
Electronic book
|
| Author |
Prokhorov, Alexander, 1965- editor.
|
|
Prokhorova, Elena, editor.
|
|
Salys, Rimgaila, editor.
|
| LC no. |
2021035866 |
| ISBN |
9781644696460 |
|
1644696460 |
|
1644696452 |
|
9781644696453 |
|
