Introduction: Revisiting Indigenismo and Folklore -- The Mision Peruana de Arte Incaico and the Development of Artistic-Folkloric Production in Cuzco -- The Rise of Cultural Institutions and Contests -- Touristic Cuzco, Its Monuments, and Its Folklore -- La Hora del Charango: The Cholo Feeling, Cuzquenoness, and Peruvianness -- Creative Effervescence and the Consolidation of Spaces for "Folklore" -- Epilogue: Who Will Represent What Is Our Own? Some Paradoxes of Andean Folklore Both Inside and Outside Peru
Summary
Analyzes the key role that the production of "folkloric" music, dance, and drama has had in the formation of ethnic/racial identities, regionalism, and nationalism in Cuzco, Peru during the twentieth century
Notes
"This text was originally conceived, written, and published in Spanish"--Page xi
Bibliography
Includes bibliographical references (pages 221-228) and index
Includes discography: page 219
Notes
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL
Print version record
digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL
