Cover -- Copyright -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Who Is the Crisis-Woman? -- 1�The Donna-crisi and the Fashion World: From Revolution to Regulatory Ideal -- 2�Scientific Discourse and the Making of the Donna-crisi -- 3�Esci fuori, mattacchiona!: Satirical Representations of the Donna-crisi -- 4�Ideologies and Economies of Crisis -- Conclusion The Decline of the Donna-crisi -- Appendixes: Lyrics and Captions -- A: Lyrics to “Mah, cos�� questa crisi?� (1933) by Rodolfo De Angelis
B: Lyrics to “Donna crisi� (1933) by Romolo BalzaniC: Captions for “Donna crisi utilitaria� (1933) by Mameli Barbara -- D: Captions for “Donna crisi inutilitaria� (1933) by Mameli Barbara -- Notes -- Bibliography -- Index
Summary
Using a rich assortment of scientific, medical, and popular literature, Natasha V. Chang's The Crisis-Woman examines the donna-crisi 's position within the gendered body politics of fascist Italy
