| Description |
1 online resource |
| Series |
BFI screen guides |
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BFI screen guides.
|
| Contents |
Cover; Contents; Acknowledgments; Foreword; Introduction; 2001: A Space Odyssey, Stanley Kubrick, 1968; Akira, Katsuhiro Otomo, 1988; Angel of Vengeance, Abel Ferrara, 1981; Bad Taste, Peter Jackson, 1987; Baise-moi, Virginie Despentes, Coralie Trinh Thi, 2000; Begotten, E. Elias Merhige, 1991; Behind the Green Door, Artie Mitchell, Jim Mitchell, 1972; La belle et la bête, Jean Cocteau, 1946; Beyond the Valley of the Dolls, Russ Meyer, 1970; The Big Lebowski, Joel Coen, Ethan Coen, 1998; Blade Runner, Ridley Scott, 1982; Blue Sunshine, Jeff Lieberman, 1978; Brazil, Terry Gilliam, 1985 |
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Bride of Frankenstein, James Whale, 1935The Brood, David Cronenberg, 1979; Das Cabinet des Dr. Caligari, Robert Wiene, 1920; Café Flesh, Stephen Sayadian, 1982; Cannibal Holocaust, Ruggero Deodato, 1979; Casablanca, Michael Curtiz, 1942; Un chien andalou, Luis Buñuel, Salvador Dalí, 1928; Coffy, Jack Hill, 1973; Daughters of Darkness, Harry Kümel, 1971; Dawn of the Dead, George A. Romero, 1978; Deadly Weapons, Doris Wishman, 1974; Debbie Does Dallas, Jim Clark, 1978; Deep Red, Dario Argento, 1975; Dirty Dancing, Emile Ardolino, 1987; Django, Sergio Corbucci, 1966 |
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Donnie Darko, Richard Kelly, 2001Don't Torture a Duckling, Lucio Fulci, 1972; Edward Scissorhands, Tim Burton, 1990; Emanuelle and the Last Cannibals, Aristide Massaccesi, 1977; Emmanuelle, Just Jaeckin, 1974; Enter the Dragon, Robert Clouse, 1973; Eraserhead, David Lynch, 1977; The Evil Dead, Sam Raimi, 1981; Fight Club, David Fincher, 1999; Flaming Creatures, Jack Smith, 1963; Freak Orlando, Ulrike Ottinger, 1981; Freaks, Tod Browning, 1932; Ginger Snaps, John Fawcett, 2000; The Gods Must Be Crazy, Jamie Uys, 1981; Godzilla, Ishirô Honda, 1954; The Harder They Come, Perry Henzell, 1972 |
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Harold and Maude, Hal Ashby, 1971Häxan, Benjamin Christensen, 1922; Hellraiser, Clive Barker, 1987; The Holy Mountain, Alejandro Jodorowsky, 1973; The House with the Laughing Windows, Pupi Avati, 1976; I Walked with a Zombie, Jacques Tourneur, 1943; Ichi the Killer, Takashi Miike, 2001; In Bruges, Martin McDonagh, 2008; Invasion of the Body Snatchers, Don Siegel, 1956; Invocation of My Demon Brother, Kenneth Anger, 1969; It's a Wonderful Life, Frank Capra, 1946; The Killer, John Woo, 1989; Lady Terminator, H. Tjut Djalil, 1988; The Lord of the Rings, Peter Jackson, 2001-3 |
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Mad Max 2: The Road Warrior, George Miller, 1981Man Bites Dog, Rémy Belvaux, André Bonzel, Benoît Poelvoorde, 1992; Manos, the Hands of Fate, Harold P. Warren, 1966; The Masque of the Red Death, Roger Corman, 1964; Monty Python and the Holy Grail, Terry Gilliam, Terry Jones, 1975; Near Dark, Kathryn Bigelow, 1987; Nekromantik, Jörg Buttgereit, 1987; Night of the Living Dead, George A. Romero, 1968; Pink Flamingos, John Waters, 1972; Piranha, Joe Dante, 1978; Plan 9 from Outer Space, Ed Wood, Jr, 1959; Re-Animator, Stuart Gordon, 1985; Reefer Madness, Louis Gasnier, 1936 |
| Summary |
An accessible and up to date guide to one hundred of World Cinema's most interesting and influential cult movies. Covering a diverse range of genres and films from 1920 to the present day, this lavishly illustrated volume includes entries on films ranging from 'This is Spinal Tap' to 'Donnie Darko' |
| Notes |
Print version record |
| Subject |
Cult films -- History and criticism
|
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Cult films -- Reviews
|
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The arts.
|
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PERFORMING ARTS -- Reference.
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Cult films.
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| Genre/Form |
Criticism, interpretation, etc.
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Reviews.
|
| Form |
Electronic book
|
| ISBN |
1844575713 |
|
9781844575718 |
|
