| Description |
1 online resource (199 pages) |
| Contents |
Cover; Half Title; Title Page; Copyright Page; Contents; List of Plates and Figures; List of Music Examples; Acknowledgements; Introduction; Notes; 1 Attentive Listening; The Problem of Attention; The Theory and Significance of Attention: Descartes to Meier; Pleasure, Emotion and the 'Flow' Experience; Adaptation of Mimesis; Adaptation of Rhetoric; Wonder and Astonishment; Notes; 2 Interlude: Rousseau's Transports of Attention; Simultaneous and Successive Unities; Applications; Notes; 3 Sulzer and the Aesthetic Force of Music; Civilizing the Savage; The Aesthetic Force of Music; Notes |
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4 Forkel on Expert and Amateur Listening PracticesKenner and Liebhaber: Two Modes of Hearing; Musical Decline and Forkel's Remedy; Concert Programming: Pleasure, Amusement and Instrumental Music; A Metaphysical History of Musical Hearing; A New Approach to Attention; Notes; 5 Elements of a Rhetoric of Attention; Arousing the Attention: The Rules of Periodicity; Sustaining the Attention: A Musical Dispositio; Forkel on Music-rhetorical Figures; The Rhetoric in Practice: Georg Benda and C.P.E. Bach; Notes; Bibliography; Index |
| Notes |
Print version record |
| Subject |
Music audiences -- Germany -- History -- 18th century
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Music audiences
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Germany
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| Genre/Form |
History
|
| Form |
Electronic book
|
| ISBN |
9781351556903 |
|
1351556908 |
|
