| Description |
1 online resource (254 pages) |
| Contents |
Contents; Illustrations; Introduction; Chapter 1 Skip Battaglia: Skip Man Motion; Chapter 2 Aaron Augenblick: Last Exit to Brooklyn; Chapter 3 Chris Landreth's Psychorealism; Chapter 4 JibJab: Redefining the Toon; Chapter 5 PES Play; Chapter 6 Patrick Smith's Twisted Catastrophes; Chapter 7 Visions of Joanna Priestley; Chapter 8 Barry Purves: The Puppetmaster; Chapter 9 Michaela Pavltov's Carnal Carnival; Chapter 10 Thodore Ushev: Man Called Aerodynamics; Chapter 11 Bob Sabiston: The Unanimator; Chapter 12 Bruce Alcock: The Storyteller |
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Chapter 13 The Tricks, Flies and Timing of Konstantin BronzitChapter 14 Suzan Pitt: Dollhouses, Magic and Sexy Asparagus; Chapter 15 In the Dust and Moonlight of Don Hertzfeldt; Chapter 16 Chris Shepherd: Who He Is and What He Wants; Chapter 17 Run Wrake Ain't No Meathead; Chapter 18 The Dreamworlds of Mait Laas; Chapter 19 John Canemaker: Confessions of an Animator; Chapter 20 Joanna Quinn: Beryl, Britannia and Bum- Wiping Bears; Acknowledgments |
| Summary |
While graphic novels have been accepted in the mainstream book world, independent animation still fights for an audience. Television (at least in North America) doesn't have room for short films. Cinemas gave up on short films long ago. Certainly, artists are reaching new audiences through the internet, dvds, and mobile technology, but festivals still remain the primary exhibition place. For most people, animation is defined by characters (Mickey Mouse, Powerpuff Girls, Bart Simpson) or by studios (Pixar, Dreamworks, Disney). However, if you ask these same people to identify John Lassetter, Mi |
| Notes |
Print version record |
| Subject |
Animated films -- History and criticism.
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Animators.
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animators.
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Individual film directors, film-makers.
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Animated films.
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Animators.
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| Genre/Form |
Criticism, interpretation, etc.
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| Form |
Electronic book
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| ISBN |
9780826421159 |
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0826421156 |
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1282821601 |
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9781282821606 |
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