| Description |
1 online resource |
| Contents |
Intro; Contents; Contributors; Felix Wörner, Ullrich Scheideler, and Philip Rupprecht Introduction; Concepts and Contexts; Ulrich Mosch: Foundation or Mere Quotation? Conditions for Applying the Tonality Concept to Music After 1950; Wolfgang Rathert: Total Tonality or Tonal Totality: A Compositional Issue in Music After 1945; Joseph Auner: The Stopped Clock: Tape Loops, Synthesizers, and the Transfiguration of Harmony; Nicole Biamonte: Pop/Rock Tonalities; Perspectives of the Mid-Century; Thomas Ahrend: "Das Wunderland": Tonality and (Political) Topography in Eisler's Songs Around 1950 |
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Ullrich Scheideler: Tonality in Henze's Music of the 1950s and Early 1960sFelix Meyer: "Everything we love belongs to us": George Rochberg's Adoption of Tonality; Judit Frigyesi: The Macro- and Micro-Lives of Sounds in Morton Feldman's The Viola in My Life I; Processes, Objects, Functions, and Resonances: Directions Since 1970; Keith Potter: Harmonic Progressions as a Gradual Process: Towards an Understanding of the Development of Tonality in the Music of Steve Reich; Philip Rupprecht: Tonality Rediscovered: Oliver Knussen and the Musical "Object" in the 1970s |
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Peter J. Schmelz: Tonality After "New Tonality": Silvestrov, Schnittke, and Polystylism in the Late USSREric Drott: Saariaho, Timbre, and Tonality; Simone Heilgendorff: Projected Resonance: Tonal Dimensions of Microtonal Composition in Music by Georg Friedrich Haas; Felix Wörner: Tonality as "Irrationally Functional Harmony": Thomas Adès's Piano Quintet; Volker Helbing: "Hungarian Tonality"? György Kurtág's ... rappel des oiseaux ... from the Perspective of Albert Simon's Theory of Tonfelder; Index |
| Notes |
Online resource; title from digital title page (viewed on April 14, 2020) |
| Subject |
Tonality -- History
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Tonality
|
| Genre/Form |
History
|
| Form |
Electronic book
|
| Author |
Wörner, Felix
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Scheideler, Ullrich
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Rupprecht, Philip
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| ISBN |
3515115897 |
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9783515115896 |
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