| Description |
1 online resource (266 pages) |
| Series |
Anglistische Forschungen, 0179-1389 ; Band 466 |
|
Anglistische Forschungen ; Heft 466. 0179-1389
|
| Contents |
Cover; Titel; Imprint; Contents; A Very Short Introduction; Rūta Šlapkauskaitė (Vilnius): An Arc of Itinerant Tropes: Beyond Kin and Kind in André Alexis's "Fifteen Dogs" (2015); Coral Ann Howells (London): Dire Cartographies: Margaret Atwood's "MaddAddam" Trilogy (2003-2013); Martin Kuester (Marburg) Shakespearean Godgames in Makeshiweg, Ont.: Margaret Atwood's "Hag-Seed" (2016); Silvia Mergenthal (Konstanz): Indigeneity, Trauma and Healing: Joseph Boyden, "Three Day Road" (2005) |
|
Nassim Winnie Balestrini (Graz): Abused by Fish Bellies, Accompanied by Manitous: The Residential School System's Death Toll in Joseph Boyden's "Wenjack" (2016)Carmen Birkle (Marburg): Geographies, Ethnicities, and the Cultures of Belonging: Dionne Brand, "What We All Long For" (2005); David Creelman (Saint John, NB): Protest, Tragedy, and the Triumph of Language: George Elliott Clarke's "George & Rue" (2005); Elisabeth Gießauf (Graz): The Mythopoeic Power of Fish Stink: Michael Crummey's "Galore" (2009) as an Ode to Story-Telling |
|
Sherrill Grace (Vancouver): 'Turning the page': Timothy Findley's "Pilgrim" (1999)Melanie Braunecker (Klagenfurt): Drilling for Oil with No Holds Barred: Don Gillmor's "Long Change" (2015); Johannes Wally (Graz): Daniel Defoe, Michel Tournier and the Autonomous Subject: Douglas Glover's "Elle" (2003); Sabrina Thom (Graz): "Tell me more! Tell me more!" Sensationalism and Trauma in Rawi Hage's "Cockroach" (2008); Anna Branach-Kallas (Toruń): Ontologies of Disability/Ontologies of Care: Frances Itani's Deseronto Trilogy (2003-2017) |
|
Brigitte Johanna Glaser (Göttingen): Trauma, Memory, and Art: Frances Itani, "Requiem" (2011)Maria Löschnigg (Graz): Native Ecologies: Thomas King's "The Back of the Turtle" (2014); Silke Jandl (Graz): Trauma, Liminality, and Narrative Voice: Tracey Lindberg's "Birdie" (2015); Maximilian Feldner (Graz): Mystery and Memory: Emily St. John Mandel's "The Lola Quartet" (2012); Martin Löschnigg (Graz): Is There Room for Happiness? Rohinton Mistry, "Family Matters" (2002) |
|
Dagmara Drewniak (Poznań): "The journey was to be an innocent story ... ": Rites of Passage in Michael Ondaatje's "The Cat's Table" (2011)David Staines (Ottawa): Music in the Air: Madeleine Thien, "Do Not Say We Have Nothing" (2016); Jason Blake (Ljubljana): Strong Voices: Miriam Toews, "A Complicated Kindness" (2004); Marzena Sokołowska-Paryż (Warsaw): "The difficult architecture of a new world": Jane Urquhart, "The Stone Carvers" (2001); Heinz Antor (Cologne): Centrepiece of the Western Trilogy: Guy Vanderhaeghe's "The Last Crossing" (2002) |
| Bibliography |
Includes bibliographical references |
| Notes |
Online resource; title from digital title page (viewed on December 20, 2019) |
| Subject |
Canadian fiction -- 21st century -- History and criticism
|
|
Canadian fiction
|
| Genre/Form |
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| Author |
Löschnigg, Maria, editor
|
|
Löschnigg, Martin, editor
|
| ISBN |
9783825378981 |
|
3825378985 |
|
3825346404 |
|
9783825346409 |
|
