Description |
1 online resource |
Series |
Bloomsbury academic collections. Film studies : European cinema |
|
Bloomsbury academic collections. Film studies
|
Contents |
Cover; Half-title; Title; Copyright; Contents; Dedication; Acknowledgements; Foreword; 1 Back to the Future: the New State of Play; The summer of supposed strategy; The GATT negotiations; An agreement to disagree; The GATT fudge; The guarantee fund debate; The Guarantee gap; Open arms across the Atlantic; US companies working with European talent; Finding a future audience; Notes; 2 Strategies for Development; The idea problem; Developing in pictures; The European theory; The practical advice; The treatment catch; The French approach; The French future; Policies towards development |
|
The ACE approachTraining the writers; The new development organization; Putting theory into practice; Notes; 3 Training for the Future; The union background; The UK education trap; The German approach; The freelance problem; The French situation; The Irish situation; Selecting courses; The film school approach; Teaching producers?; The UK situation; On-the-job training; The European dimension; Additional support; The future of training; Notes; 4 Casting and Stars; Star-struck?; The television system; The 'Nouvelle Vague' legacy; The tabloid'truths'; The ambivalence barrier |
|
The business of castingThe seller's viewpoint; The British-Hollywood axis; The French system; Casting careers; What can be done?; Notes; 5 Europe's Corporate Players; The Hollywood heritage; Approaching risk; European barriers; THE STUDIOS; The British situation; Europe's production houses; The Barrandov experience; The Babelsberg disappointment; THE 'MAJOR' INDUSTRIALISTS; Cautious Bertelsmann; Grupo PRISA's rising star; The Canal Plus phenomenon; The Chargeurs group; The CiBy 2000 boutique; Pulling together the fragments; Notes; Case Study: PolyGram Filmed Entertainment |
|
PolyGram's selected film acquisitions since 1990Other production interests; Distribution interests (to 1997); The method of entry; The PolyGram green-light system; Notes; 6 Co-production and Co-financing Strategies; The increase in co-productions; Jigsaw puzzles; The additional costs of co-production; The new trend towards co-development; New models for partners; The multilateral approach; A single European market?; New partnerships with North America; Miramax's unique role; Silence on language; Notes; Case Study: Eurimages; A rapid growth; The problem areas; Spreading the finance |
|
Recoupment questionsDistribution of Eurimages films; Notes; 7 Support Mechanisms Across Europe; Illusions of subsidy support; A heated subject; The different approaches; What kinds of films are we making?; The Spanish upswing; The German scenario; Berlin-Brandenburg Filmboard; What is wrong with Germany?; The new UK film world; The Irish rejuvenation; The French tax system; The problem with tax breaks; MEDIA IPs new wave; Critics of MEDIA II; The great debate; Notes; 8 Feeding the Distribution Pipelines; Implications of dominancy; Business or culture?; The tough end of the business |
Summary |
"The State of European Cinema offers a critical review of the state of the industry at the close of the twentieth century. Finney spent two years researching and carrying out interviews with more than a hundred top film professionals. His findings offer dynamic and fresh perspectives on Europe's film industry and include a detailed analysis of Europe's public subsidy funds, co-production trends and cinema distribution systems, as well as practical information on screenplay development and training and an examination of Europe's declining film-star system."-- Provided by publisher |
Notes |
Originally published in 1996 by Cassell |
Bibliography |
Includes bibliographical references and index |
Notes |
Online resource; title from PDF title page (EBSCO, viewed August 3, 2016) |
Subject |
Motion pictures -- Europe.
|
|
Motion picture industry -- Europe
|
|
Films, cinema.
|
|
PERFORMING ARTS -- Reference.
|
|
Motion picture industry
|
|
Motion pictures
|
|
Europe
|
Form |
Electronic book
|
ISBN |
9781474290715 |
|
147429071X |
|