| Description |
xii, 563 pages : illustrations ; 24 cm |
| Series |
California studies in the history of art ; 24 |
|
California studies in the history of art ; 24
|
| Contents |
"The Beards" of 1800 and "The Beards" of today (1835) / Étienne-Jean Delécluze -- What is Romanticism? (1846) / Charles Baudelaire -- Journals (1824-1847) / Eugène Delacroix -- Advice to a student on painting, particularly on landscape (1800) / Pierre-Henri de Valenciennes -- Letter to Daniel Runge (1802) / Philipp O. Runge -- Nine letters on landscape painting (1831) / Carl G. Carus -- Essays (1836-1841) / Ralph W. Emerson -- Preface to the second edition of Modern painters (1844) / John Ruskin -- Letters and notes on painting (1802-1836) / John Constable -- Letters and reflections on painting / Camille Corot --Articles from the Encyclopaedia Britannica (1816) / Benjamin R. Haydon & William Hazlitt -- To Théodore Rousseau (1844) / Théophile Thoré -- Courbet : The burial at Ornans (1861) / Champfleury -- Selected writings (1858-1863) / Jean-François Millet -- Selected Writings (1855-1870) / Gustave Courbet -- New tendencies in art (1857) / Théophile Thoré -- The philosophy of art (1865) / Hippolyte Taine -- Concerning the principle of art and its social purpose (1857) / Pierre-Joseph Proudhon -- The art of the people (1882) / William Morris -- Édouard Manet (1867) / Émile Zola -- |
|
Art at the moment (1866) / Émile Zola -- Telemaco Signorini (1884) / Adriano Cecioni -- Vincenzo Cabianca (ca. 1884) / Adriano Cecioni -- The Impressionists (1876) / Émile Blémont -- The exhibition of the Impressionists (1877) / Georges Rivière -- The principles of harmony and contrast of colours, and their applications to the arts (1839) / Michel-Eugène Chevreul -- The grammar of painting and engraving (1869) / Charles Blanc -- The Impressionists in 1886 / Félix Fénéon -- Neoimpressionism (1887) / Félix Fénéon -- The fifth Promotrice exhibition, letters IV & V (1868) / Vittorio Imbriani -- Mr. Whistler's "Ten O'Clock" (1885) / James M. Whistler -- On judging works of visual art (1876) / Conrad Fiedler -- The chromatic circle (1888) / Charles Henry -- Letter to Maurice Beaubourg (1890) / Georges Seurat -- Seurat (1891) / Gustave Kahn |
|
Discourses on art (1771) / Sir Joshua Reynolds -- The art of seeing in the fine arts of design according to the principles of Sulzer and Mengs (1781) / Francesco Milizia -- The jury of art (1793) / Jacques-Louis David -- Essay on picturesque beauty (1792) / William Gilpin -- A new method of assisting the invention in drawing original compositions of landscape (1785) / Alexander Cozens -- The dreams of Orestes by Berthon (1817-1818) / Edmé-François Antoine Miel -- On the end of imitation in the fine of Arts (1823) / Quatremère de Quincy -- Commentaries on art / J.A.D. Ingres -- Outpourings from the heart of an art-loving monk (1797) / Wilhelm Wackenroder -- A descriptive cataogue of pictures (1809) / William Blake -- Marginalia to Reynold's discourses (ca. 1808) / William Blake -- The beauties of Christianity (1802) / François René, Vicomte de Chateaubriand -- Diaries and letters (1811, 1814) / Friedrich Overbeck -- On Naïveté in the arts (1822) / Adolphe Thiers -- On the essential quality of Italian painting from its Renaissance to the period of its perfection (1834) / Tommaso Minardi -- The poetry of Christian art (1836) / A.F. Rio -- |
| Analysis |
Arts Theories |
| Notes |
Includes index |
| Bibliography |
Includes bibliographical references and index |
| Subject |
Art criticism -- Europe -- History -- 19th century.
|
| Author |
Taylor, Joshua C. (Joshua Charles), 1917-1981.
|
| LC no. |
86007054 |
| ISBN |
0520048873 |
|
0520048881 |
|
