| Description |
xviii, 318 pages : illustrations ; 25 cm |
| Contents |
Part 1. The end of impressionism. Introduction: the subjectivity of impressionism -- Defining impressionism and the impression -- Impressionism, truth, and positivism -- The subject/object distinction, critical evaluation, and technical procedure -- Impressionism and symbolism as modes of artistic expressionism -- Part 2. The technique of originality. Introduction: Matisse and origins; impressionism as modernism; making and finding -- Academics and independents: theories of making and theories of finding -- Corot, Monet, Cezanne, and the technique of originality -- Bernard and Denis meet Cezanne: classical tradition without technical convention -- Roger Fry: found vision and made design |
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Part 3. Seeing Cezanne. Introduction: postimpressionism and expression -- The Cezanne legend -- The Poussin legend -- Did Cezanne have a theory? -- Cezanne's practice -- Part 4. Conclusion: making a find. Making a find |
| Analysis |
French paintings Cézanne, Paul - Critical studies |
| Notes |
Pbk. ed. published 1986 |
| Bibliography |
Includes bibliographical references and index |
| Subject |
CeÌzanne, Paul, 1839-1906
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Cézanne, Paul, 1839-1906.
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Impressionism (Art) -- France.
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Modernism (Art) -- France.
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Painters -- France -- Psychology.
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Painting, French -- 19th century.
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Visual perception.
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Artists -- Psychology -- France.
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| LC no. |
83018142 |
| ISBN |
0226753050 |
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0226753069 |
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9780226753058 |
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9780226753065 |
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