1. Introduction -- 2. Dickens and the "imaginary text" -- 3. Theatrical attitudes: performance and the English imagination -- 4. Patter and the politics of standard speech in Victorian England -- 5. Charles Mathews, Charles Dickens, and the comic female voice -- 6. Patter and the problem of redundancy: odd women and Little Dorrit -- 7. Conclusion
Summary
"Dickens' novels, like those of his contemporaries, are more explicitly indebted to the theatre than scholars have supposed: his stories and characters were often already public property by the time they were published, circulating as part of a current theatrical repertoire well known to many Victorian readers. In this study, Deborah Vlock argues that novels - and novel readers - were in effect created by the popular theatre in the nineteenth century, and that the possibility of reading and writing narrative was conditioned by the culture of the stage."--BOOK JACKET
Bibliography
Includes bibliographical references (pages 215-222) and index