| Description |
1 online resource (xxiii, 471 pages) |
| Series |
Critical heritage series |
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Critical heritage series.
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| Contents |
Cover; Title page; Copyright page; Contents; PREFACE; ACKNOWLEDGMENTS; NOTE ON THE TEXT; INTRODUCTION; 1 E.J. DILLON, an early evaluation of the young writer Chekhov, 1891; 15 ST JOHN HANKIN on the quality and method of a Chekhov play, 'Academy', June 1907; 14 MAURICE BARING on Chekhov and Russian theatre, 'New Quarterly', 1907-8; 13 CHRISTIAN BRINTON on Chekhov and Russian actors, 'Cosmopolitan', April 1906; 12 CHRISTIAN BRINTON assesses Chekhov, 'Critic', October 1904; 11 VALERI BRIUSOV announces the first performance of Chekhov's last play, 'Athenaeum', September 1904 |
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10 Obituary and assessment, 'TLS', July 19049 Obituary in 'The Times', July 1904; 8 A.E. KEETON looks at Chekhov's achievement, 'Academy and Literature', January 1904; 7 A. BATES on Chekhov as a purveyor of lunacy, 1903; 6 Unsigned review of R.E.C. Long's translations, 'Outlook', November 1903; 5 Unsigned comment on the short stories, 'Review of Reviews', November 1903; 4 LEO WIENER on Chekhov's 'pessimism', 1903; 3 R.E.C. LONG discusses Chekhov's place in Russian literature, 1902; 2 ABRAHAM CAHAN on the new wave of Russian writers, September 1899 |
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'The Seagull', Royalty (Glasgow), 2 November 190919 ASHLEY DUKES on Chekhov the innovator, 1911; 18 Pseudonymous notice by 'Jacob Tonson', 'New Age', March 1909; 17 Unsigned notice in 'Glasgow Herald', November 1909; 16 Unsigned notice in the Glasgow 'Evening Times', November 1909; 'The Cherry Orchard', Aldwych (London), 29 May 1911; 27 Unsigned comment on Calderon's translations, 'TLS', February 1912; 26 GEORGE CALDERON analyses Chekhov's method, 1912; 25 Pseudonymous notice by 'Jacob Tonson', 'New Age', June 1911; 24 J.T. GREIN in 'Sunday Times', June 1911 |
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23 'H.W.M.' in 'Nation' (London), June 191122 Unsigned notice in 'Morning Post', May 1911; 21 Unsigned notice in 'Daily Telegraph', May 1911; 20 Unsigned notice in 'The Times', May 1911; 'The Seagull', Little (London), 31 March 1912; 36 BARRETT CLARK analyses 'The Seagull' for students of the theatre, 1914; 35 STORM JAMESON on Chekhov as anti-determinist, 'Egoist', March 1914; 34 'H.W.M.' on Chekhov as the writer of tragedy, 'Nation' (London), January 1913; 33 W.L. COURTNEY on Chekhov's tragi-comedy, 'Quarterly Review', July 1913 |
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32 HUNTLY CARTER finds Chekhov and 'The Seagull' less than great, 'New Age', April 191231 JOHN PALMER criticises Chekhov's reception in London, 'Saturday Review', April 1912; 30 Unsigned notice in 'Academy', April 1912; 29 Unsigned notice in 'Daily Telegraph', April 1912; 28 Unsigned notice in 'The Times', April 1912; 'Uncle Vanya', Aldwych (London), 11 May 1914; 47 Unsigned notice in 'TLS', November 1915; 46 E.M. FORSTER reviews some short stories, 'New Statesman', July 1915; 45 H.S. CANBY on Chekhov's artistic freedom, 'Atlantic Monthly', July 1915 |
| Summary |
This set comprises forty volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first sixty-eight volume set of Critical Heritage published by Routledge in October 1995 |
| Bibliography |
Includes bibliographical references (page 457) and index |
| Notes |
Print version record |
| Subject |
Chekhov, Anton Pavlovich, 1860-1904 -- Criticism and interpretation
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| SUBJECT |
Chekhov, Anton Pavlovich, 1860-1904 fast |
| Subject |
LITERARY CRITCISM -- Russian & Former Soviet Union.
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Literature
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| SUBJECT |
Russia -- In literature
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| Subject |
Russia
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| Genre/Form |
Criticism, interpretation, etc.
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| Form |
Electronic book
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| Author |
Emeljanow, Victor
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| ISBN |
9781134550999 |
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1134550995 |
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