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E-book
Author Andersen, Nathan, author.

Title Film, philosophy, and reality : ancient Greece to Godard / Nathan Andersen
Published Abingdon, Oxon ; New York, NY : Routledge, 2019
©2019

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Description 1 online resource (viii, 203 pages)
Contents Cover; Half Tltle; Title Page; Copyright Page; Table of Contents; Preface; Acknowledgments; Introduction; Challenges and rewards of connecting philosophy with film; Connecting film with philosophy; Part I: Philosophy and film; Chapter 1: What is philosophy?; Philosophical questions; Philosophy, myth, and religion; The ancient quarrel; Why and how to do philosophy -- a brief historical overview; Film's philosophical affinities; Chapter 2: What is film?; Film industry; Film production; The audience; Formal analysis; Genre, story, and representation; Part II: Appearance and reality
Chapter 3: The appearance of reality: Arrival of the TrainFilm theories and philosophy; Mistaking film for reality; The nature and variety of appearances; The reality of cinematic appearances; Cinema and reality; Human reality and appearances; Chapter 4: The philosophy of appearance; A history of metaphysics: from substances to subjects; The metaphysics of appearance; Film and metaphysics; Part III: Breathless metaphysics; Introduction; Chapter 5: Cinema and reality; Continuity and rupture; Cinema and reality; Screening subjectivity, intersubjectivity, and objectivity
Chapter 6: Film techniques and philosophyMetaphysics and the jump cut; Morality and the tracking shot; Last breath: authenticity and death; Metaphysics -- on appearance and reality; Epistemology -- on perspective and knowledge; Aesthetics -- on art and beauty; Ethics -- on morality and the question of how to live; Primary philosophical texts; On philosophy and the history of philosophy; On film history and theory; Philosophy of film, philosophy through film, and film-philosophy; On Arrival of the Train; On Godard, Breathless, and Cinema Verité; Conclusion; Suggested films; Glossary; Bibliography
Summary Film, Philosophy, and Reality: Ancient Greece to Godard is an original contribution to film-philosophy that shows how thinking about movies can lead us into a richer appreciation and understanding of both reality and the nature of human experience. Focused on the question of the relationship between how things seem to us and how they really are, it is at once an introduction to philosophy through film and an introduction to film through philosophy. The book is divided into three parts. The first is an introduction to philosophy and film, designed for the reader with little background in one or the other subject. The second examines the philosophical importance of the distinction between appearance and reality, and shows that reflection upon this distinction is naturally provoked by the experience of watching movies. The final part takes a close and careful look at the style and techniques of Jean-Luc Godard's groundbreaking film Breathless in order to illustrate how such themes can be explored cinematically. The book addresses topics such as: Film: what it is and how to understand it The methods and concerns of philosophy The nature of cinematic appearances The history of metaphysics The relationship between cinema and life The philosophical relevance of film techniques. With a glossary of key thinkers, terms, and concepts, as well as sections on suggested films and further reading, this textbook will appeal to lecturers and students in undergraduate philosophy and film courses, and in courses focused on Philosophy of Film, Philosophy and Film, or Film-Philosophy
Bibliography Includes bibliographical references and index
Notes Nathan Andersen teaches philosophy and film studies at Eckerd College in Saint Petersburg, Florida, USA. He programs an award-winning cinema series and is the co-director of the "Visions of Nature/Voices of Nature," Environmental Film Festival. He is the author of Shadow Philosophy: Plato's Cave and Cinema (2014, Routledge), and has published on the history of philosophy, environmental philosophy, and film
Online resource; title from digital title page (viewed on February 08, 2019)
Subject Motion pictures -- Philosophy
Philosophy.
Philosophy
philosophy.
PERFORMING ARTS -- Reference.
PHILOSOPHY -- General.
Motion pictures -- Philosophy
Philosophy
Form Electronic book
LC no. 2018060087
ISBN 9781315814889
1315814889
9781317805830
1317805836
9781317805816
131780581X
9781317805823
1317805828