| Description |
1 online resource |
| Series |
Studies in musical performance as creative practice ; 3 |
|
Studies in musical performance as creative practice ; 3.
|
| Contents |
Key-postures, trajectories and sonic shapes / Rolf Inge Godøy -- Shape, drawing and gesture: empirical studies of cross-modality / Mats B. Küssner -- Cross-modal correspondences and affect in a Schubert song / Zohar Eitan, Renee Timmers and Mordechai Adler -- Affective shapes and shapings of affect in Bach's Sonata for unaccompanied violin no. 1 in G minor (BWV 1001) / Michael Spitzer -- Shape in music notation: exploring the cross-modal representation of sound in the visual domain using zygonic theory / Adam Ockelford -- The shape of musical improvisation / Milton Mermikides and Eugene Feygelson -- Shape as understood by performing musicians / Helen M. Prior -- Shaping popular music / Alinka E. Greasley and Helen M. Prior -- Music and shape in synaesthesia / Jamie Ward -- Intersecting shapes in music and in dance / Philip Barnard and Scott Delahunta -- Musical shape and feeling / Daniel Leech-Wilkinson |
| Summary |
Shape is a concept widely used in talk about music, helping musicians in many genres to rehearse, teach and think about what they do. What makes a concept from vision so invaluable to work in sound? Music & Shape reveals the many ways in which shape is essential to music |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Online resource; title from PDF title page (EBSCO, viewed November 7, 2017) |
| Subject |
Music -- Psychological aspects.
|
|
Music -- Performance -- Psychological aspects
|
|
MUSIC -- Instruction & Study -- Theory.
|
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Music -- Performance -- Psychological aspects
|
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Music -- Psychological aspects
|
| Form |
Electronic book
|
| Author |
Leech-Wilkinson, Daniel, editor.
|
|
Prior, Helen M., editor.
|
| ISBN |
9780199351435 |
|
0199351430 |
|
