| Description |
1 online resource |
| Series |
Routledge research in aesthetics ; 10 |
|
Routledge research in aesthetics ; 10.
|
| Contents |
The Nature of Film. (Collapsed) Seeing-In and the (Im-)Possibility of Progress in Analytic Philosophy (of Film) / Malcolm Turvey -- The World Viewed and the World Lived: Stanley Cavell and Film as the Moving Image of Skepticism / Jônadas Techio -- The Morph-Image: Four Forms of Post-Cinema / Steen Ledet Christiansen -- Deleuze's Cronosigns / Susana Viegas -- The Film as Philosophy Debate. The Bold Thesis Retired: On Cinema as Philosophy / Paisley Livingston -- Film as Philosophical Thought Experiment: Some Challenges and Opportunities / Tom McClelland -- Are there Definite Objections to Film as Philosophy? Metaphilosophical considerations / Diana Neiva -- Philosophical Dimensions of Cinematic Experience / David Davies -- The Philosophical Value of Film. Philosophical Experience and Experimental Film / Christopher Falzon -- Filmmaking as self-writing: Federico Fellini's 81/2 (1963) / Roberto Mordacci -- Film and Ethics / Robert Sinnerbrink -- Cinematic Experience. Movies, Narration and the Emotions / Noël Carroll -- Predictive Processing and the Experimental Solution for the Paradox of Fiction / Dina Mendonça -- The Lived Experience of Motion Pictures: A Phenomenological Approach to Cinema / Hanna Trindade -- Interpreting Cinematic Works. The Blade Runner Question: From Philosophy to Myth / Deborah Knight -- Race, Bodies and Lived Realities in Get Out and Black Panther / Mary K. Bloodsworth-Lugo -- Transnational Bio-Political Motives in Postmodern Cinema: 'I'ek and Badiou on Udi Aloni's Forgiveness and Local Angel / Oana Serban -- Further Debates. Cinema and Television: The Art and Industry of Joint Works / Inês Rebanda Coelho -- Towards a Natural Screen Philosophy / Hunter Vaughn -- Time-Travel Philosophies: From Cinematic Application to Refraction / John Ó Maoilearca |
| Summary |
This volume collects twenty original essays on the philosophy of film. It uniquely brings together scholars working across a range of philosophical traditions and academic disciplines to broaden and advance debates on film and philosophy. The book includes contributions from a number of prominent philosophers of film including Noël Carroll, Chris Falzon, Deborah Knight, Paisley Livingston, Robert Sinnerbrink, Malcolm Turvey, and Thomas Wartenberg. While the topics explored by the contributors are diverse, there are a number of thematic threads that connect them. Overall, the book seeks to bridge analytic and continental approaches to philosophy of film in fruitful ways. Moving to the individual essays, the first two sections offer novel takes on the philosophical value and the nature of film. The next section focuses on the film-as-philosophy debate. Section IV covers cinematic experience, while Section V includes interpretations of individual films that touch on questions of artificial intelligence, race and film, and cinema's biopolitical potential. Finally, the last section proposes new avenues for future research on the moving image beyond film. This book will appeal to a broad range of scholars working in film studies, theory, and philosophy |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Description based on print version record |
| Subject |
Motion pictures -- Philosophy
|
|
PERFORMING ARTS / Reference
|
|
Motion pictures -- Philosophy
|
| Form |
Electronic book
|
| Author |
Rawls, Christina, editor.
|
|
Neiva, Diana editor
|
|
Gouveia, Steven S., editor.
|
| LC no. |
2020694005 |
| ISBN |
9780429787133 |
|
0429787138 |
|
9780429435157 |
|
0429435150 |
|
9780429787126 |
|
042978712X |
|
9780429787140 |
|
0429787146 |
|
