| Description |
1 online resource (217 pages) |
| Series |
Word and Music Studies, 7 |
|
Word and Music Studies, 7
|
| Contents |
Introduction; Surveying the Field; Deleuze, Music, and Modernist Mimesis; Listening to Parsifal Premodern Romance, Modern Music Drama, Postmodern Film; 'Opera about Opera' Self-Referentiality in Opera with Particular Reference to Dominick Argento's The Aspern Papers; Schubert's Strategies in Setting Free Verse; False Assumptions Richard Strauss's Lieder and Text/Music Analysis; Music and the Spoken Word; Speaking Melody, Melodic Speech; Language and/or Music as Man's 'Comfort'? Beckett's Metamedial Allegory Words and Music |
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Beckett, Feldman, Joe and Bob: Speaking of Music in Words and MusicMusical and Verbal Counterpoint in Thirty Two Short Films About Glenn Gould; Notes on the Contributors |
| Summary |
The nine interdisciplinary essays in this volume were presented in 2003 in Berlin at the Fourth International Conference on Word and Music Studies, which was sponsored by The International Association for Word and Music Studies (WMA). The nine articles in this volume cover two areas: "Surveying the Field" and "Music and the Spoken Word". Topics include postmodernism, philosophy, German literary modernism, opera, film, the Lied, radio plays, and "verbal counterpoint". They cover the works of such philosophers, critics, literary figures, and composers as Argento, Beckett, Deleuze, Guattari, Fel |
| Notes |
Print version record |
| Subject |
Music and literature -- Congresses
|
|
Music in literature -- Congresses
|
|
Music and literature
|
|
Music in literature
|
|
Muziek.
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Spreektaal.
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| Genre/Form |
Conference papers and proceedings
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|
Congressen (vorm)
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| Form |
Electronic book
|
| Author |
Urrows, David Francis
|
| ISBN |
9789401202480 |
|
9401202486 |
|
