Description |
1 online resource. : illustrations |
Series |
Romantic studies : theories and practices ; v. 2
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Contents |
Cover; Contents; List of Illustrations; Acknowledgments; Introduction: Richard III as a "Romantic" Icon; Part I: The "True" Richard III; Chapter 1: Revising the Tudor Myth in the Eighteenth Century; Chapter 2: Richard's Reputation in Romantic Times; Chapter 3: A "Romantic" Richard; Part II: King Richard III on the Page; Chapter 4: Eighteenth-century Character Criticism; Chapter 5: The Romantic-period Critics; Chapter 6: Two Unhappy Stage Adaptations; Part III: King Richard III on the Stage; Chapter 7: A Hybrid Richard; Chapter 8: The "Ogreish" Cooke; Chapter 9: The "Harlequin" Kean |
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ConclusionBibliography; Index of Names |
Summary |
The book investigates the Romantics' fascination with the character of Richard III and explores his iconic centrality from the historical, the textual and the theatrical points of view. The multiplicity of Romantic-period Richards mirrored the age, as it was related to the cultural and ideological multiplicity of the Romantic era itself |
Bibliography |
Includes bibliographical references and index |
Notes |
Nicoletta Caputo is a researcher at the University of Pisa. She holds a PhD in English Studies and has been Folger Shakespeare Library Fellow. She has published articles and a volume on Tudor drama (Playing with Power, 1998); essays on nineteenth-century stage history and on contemporary English theatre and fiction, as well as a monograph on Angela Carter’s Nights at the Circus (New Wine in Old Bottles, 2010) |
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Description based on online resource; title from digital title page (viewed on April 01, 2019) |
Subject |
Shakespeare, William, 1564-1616. King Richard III -- Criticism, Textual
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King Richard III (Shakespeare, William) |
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Kings and rulers in literature
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DRAMA / English, Irish, Scottish, Welsh.
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Kings and rulers in literature.
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Genre/Form |
Criticism, interpretation, etc.
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Form |
Electronic book
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ISBN |
9783034329958 |
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3034329954 |
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9783034329972 |
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3034329970 |
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