Description |
1 online resource (687 p.) |
Series |
Routledge Series in Conservation and Museology Series |
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Routledge Series in Conservation and Museology Series
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Contents |
Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- Foreword to the First Edition -- Foreword to the Second Edition -- Editors' Preface -- Acknowledgements -- List of Figures -- List of Tables -- List of Contributors -- List of Abbreviations -- Chapter 1 Textile Conservation within the Cultural Sector -- 1.0 Overview -- 1.1 Institutional Developments and their Effect on Conservation Policies: The Cambusnethan Bog Burial Coat -- 1.2 Figures in Museum Display: The Creation and Use of a Little Person Mannequin at National Museums Scotland |
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1.3 Modern Textile Conservation at the Victoria and Albert Museum: Roots, Evolution and Rapid Changes -- 1.4 Modern Textile Conservation at the Victoria and Albert Museum II: Dynamic Display and Agile Conservation -- 1.5 Project Planning and Management -- 1.6 Moving on: The Transition From Museum Conservation to Private Practice -- Chapter 2 Treatment Ethics and Decision-Making -- 2.0 Overview -- 2.1 To Reveal and Not Obscure: Balancing Conservation and Visual Access -- 2.2 Inherent Vice, or: How I Learned to Stop Worrying and Love Shattered Silk |
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2.3 Preserving Information: Two Beds with Textile Hangings Dating From the Seventeenth Century -- 2.4 Conservation and Connoisseurship -- 2.5 The Conservator's Eye: Bringing an Additional Perspective to Textile Artefacts -- 2.6 Traditional Dress: The Evolution of Exhibition Display Methods in Response to Curatorial Interpretations -- 2.7 Fit for a Princess? Material Culture and the Conservation of Grace Kelly's Wedding Dress -- 2.8 The Conservation of Three Painted Soft Sculptures by Mirka Mora: Three Different Outcomes -- Chapter 3 Conservation and Community Partnerships -- 3.0 Overview |
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3.1 Partnership in the Preservation of Cultural Heritage at the National Museum of the American Indian -- 3.2 Mana Taonga: People-Centred Conservation Practice at the Museum of New Zealand Te Papa Tongarewa -- 3.3 Repatriation of Chief Crowfoot's Regalia to the Siksika Nation -- a Conservator's Involvement -- 3.4 The Esh Winning Miners' Banner Project -- Conservation Involvement in a Community Initiative -- 3.5 The Treatment and Retreatment of Trade Union Banners: (Re)building a Specialism in the Conservation of Large Painted Textiles Based on their Living History |
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3.6 The Scots Colours at Toitu Otago Settlers Museum: Use, Preservation, and Protocol -- 3.7 Preserving Materials and Preserving Meaning: Marie Watt's Untitled (Dream Catcher), 2014 -- Chapter 4 Interventive Conservation -- 4.0 Overview -- 4.1 The Preparation of Condition Reports for Costume and Textiles at the Los Angeles County Museum of Art -- 4.2 Documentation as Conservation: The Treatment of an Archaeological Andean Khipu -- 4.3 Recording Change: 1978-2008-2024. The Rationale for Suction Table Cleaning of a Needlework Sampler with Iron Gall Ink |
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4.4 Back From Black -- Contrasting Approaches to the Cleaning and Conservation of Historic Fixed Wall Hangings at Knole |
Summary |
This second edition of Textile Conservation offers an up-to-date perspective on the role and practice of textile conservators, capturing the diversity of textile conservation work across the globe |
Notes |
Description based upon print version of record |
Form |
Electronic book
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Author |
Ewer, Patricia
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Mina, Laura
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ISBN |
9781003825241 |
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1003825249 |
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