| Description |
1 online resource (x, 240 pages) |
| Series |
The Oxford music/media series |
|
Oxford music/media series.
|
| Contents |
Cover; Series; Through the Looking Glass; Copyright; CONTENTS; Acknowledgments; Introduction: Audiovisu(ality)(ology); 1. The Spirit Inside Each Object: Oskar Fischinger, Sound Phonography, and the "Inner Eye"; 2. "Dreams That Money Can Buy": Trance, Myth, and Expression, 1941-1948; 3. Losing the Ground: Chance, Transparency, and Cinematic Space, 1948-1958; 4. "Cinema Delimina": Post-Cagean Aesthetics, Medium Specificity, and Expanded Cinema; Conclusion: "Through the Looking Glass": Poetics and Chance in John Cage's One11; Notes; References; Index |
| Summary |
Through the Looking Glass examines John Cage's interactions and collaborations with avant-garde filmmakers, and in turn seeks out the implications of the audiovisual experience on Cage's career. The examples chosen highlight moments of rupture within Cage's notions of the audiovisual experience and the medium-specific ontology of a work of art |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Online resource; title from digital title page (viewed on January 22, 2019) |
| Subject |
Cage, John -- Criticism and interpretation
|
| SUBJECT |
Cage, John fast |
| Subject |
Music -- 20th century -- History and criticism.
|
|
Experimental films -- History and criticism
|
|
MUSIC -- Genres & Styles -- Classical.
|
|
MUSIC -- Reference.
|
|
Experimental films
|
|
Music
|
| Genre/Form |
Electronic books
|
|
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| LC no. |
2018021953 |
| ISBN |
9780190628093 |
|
019062809X |
|
9780190628116 |
|
0190628111 |
|
9780190628109 |
|
0190628103 |
|
