| Description |
1 online resource |
| Series |
Studies in Religion and Culture |
|
Studies in Religion and Culture
|
| Contents |
Cover Page -- Title Page -- Copyright Page -- Contents -- Abbreviations -- Introduction: Postsecular Formations -- Part I. Approaches to the Postsecular -- 1. Theorizing the Postsecular -- Part II. Mediating the Postsecular -- 2. Poetic Faith -- 3. Coleridge's Parable of Modernity -- 4. "To See as a God Sees": Keats and Cinematic Subjectivity -- Part III. Anthropology of the Postsecular -- 5. "Awful Doubt": Shelley's Tragic Skepticism -- 6. "Open-Hearted": Persuasion and the Cultivation of Good Humor -- Coda: Postsecular Romanticism -- Acknowledgments -- Notes -- Bibliography -- Index |
| Summary |
"Words Made Flesh demonstrates how the Romantic poets Samuel Taylor Coleridge, John Keats, and Percy Bysshe Shelley and the novelist Jane Austen affect, mediate, and ultimately alter our sense of self and embodiment in ways that not only feel profound but also have lasting effects on readers' affective, political, and spiritual lives. The author draws in particular on secular and postsecular studies, affect theory, and media studies"-- Provided by publisher |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Description based on print version record and CIP data provided by publisher; resource not viewed |
| Subject |
Self in literature.
|
|
Civilization, Secular, in literature.
|
|
English literature -- 18th century -- History and criticism
|
|
Romanticism -- Great Britain
|
|
RELIGION / Philosophy
|
|
Civilization, Secular, in literature
|
|
English literature
|
|
Intellectual life
|
|
Romanticism
|
|
Self in literature
|
| SUBJECT |
Great Britain -- Intellectual life -- 18th century.
http://id.loc.gov/authorities/subjects/sh85056855
|
| Subject |
Great Britain
|
| Genre/Form |
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| LC no. |
2022010761 |
| ISBN |
0813948134 |
|
9780813948133 |
|
