| Description |
1 online resource |
| Series |
Costerus New Ser |
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Costerus New Ser
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| Contents |
Half Title -- Series Information -- Title Page -- Copyright Page -- Contents -- Acknowledgements -- Introduction -- 1 -- 2 -- 3 -- 4 -- 5 -- 6 -- 7 -- 8 -- Chapter 1 The Unphenomenal: "This Nothing's More than Matter" -- 1 -- 2 -- 3 -- 4 -- 5 -- 6 -- 7 -- Chapter 2 The Spectre of the Cartesian Subject -- 1 -- 2 -- 3 -- 4 -- 5 -- 6 -- 7 -- 8 -- Chapter 3 Misrepresentations: Shakespeare and the Phenomenologists -- 1 -- 2 -- 3 -- 4 -- Chapter 4 What Phenomenology? Kant to Levinas -- 1 -- 2 -- 3 -- 4 -- 5 -- 6 -- 7 -- 8 -- 9 -- Chapter 5 Spontaneous Me -- 1 -- 2 -- 3 |
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Chapter 6 The Harm That Good Men and Women Do -- 1 -- 2 -- 3 -- 4 -- 5 -- 6 -- Chapter 7 Affective styles -- 1 -- 2 -- 3 -- 4 -- Chapter 8 A Pastoral Philosophy -- 1 -- 2 -- 3 -- Chapter 9 What Matters in Shakespeare? -- 1 -- 2 -- 3 -- 4 -- 5 -- 6 -- 7 -- 8 -- Chapter 10 Undialing the Dialectic -- 1 -- 2 -- 3 -- 4 -- Chapter 11 The Maladies of Abstinence: No More Cakes and Ale -- 1 -- 2 -- 3 -- 4 -- 5 -- Chapter 12 The Naturalization of Reason: Who Is Afraid of Ferdinand Derrida? -- 1 -- 2 -- 3 -- 4 -- 5 -- 6 -- 7 -- Chapter 13 Doing Shakespeare: To the Things Themselves -- 1 -- 2 -- 3 -- 4 -- 5 |
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Chapter 14 Reading Shakespeare: Is There a Text in This Play? -- 1 -- 2 -- Chapter 15 If Caliban Is a Chimpanzee and Other Posthumanist Conditions -- 1 -- 2 -- 3 -- 4 -- 5 -- 6 -- Chapter 16 The Aesthetic Ideology -- 1 -- 1.1 Intuition -- 1.2 Evidence -- 1.3 Intentionality -- 1.4 Meaning-Filling -- 2 -- Chapter 17 The Aesthetic Fallacy -- 1 -- 2 -- 3 -- 4 -- 5 -- 6 -- 7 -- Chapter 18 The Fallacy of Representation -- 1 -- 2 -- 3 -- 4 -- 5 -- 6 -- Chapter 19 The Fallacy of Immediacy -- 1 -- 2 -- 3 -- 4 -- Chapter 20 The Fallacy of Presentism -- 1 -- 2 -- 3 -- 4 -- Bibliographical References |
| Summary |
"In the aftermath of New Historicism and Cultural Materialism, the field of Shakespeare Studies has been increasingly overrun by post-theoretical, phenomenological claims. Many of the critical tendencies that hold the field today--post-humanism, speculative realism, ecocriticism, historical phenomenology, new materialism, performance studies, animal studies, affect studies--are consciously or unwittingly informed by phenomenological assumptions. This book aims at uncovering and examining these claims, not only to assess their philosophical congruency but also to determine their hermeneutic relevance when applied to Shakespeare. More specifically, Unphenomenal Shakespeare deploys resources of speculative critique to resist the moralistic and aestheticist phenomenalization of the Shakespeare playtexts across a variety of schools and scholars, a tendency best epitomized in Bruce Smith's Phenomenal Shakespeare (2010)"-- Provided by publisher |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Description based on print version record and CIP data provided by publisher; resource not viewed |
| Subject |
Shakespeare, William, 1564-1616 -- Criticism and interpretation.
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| SUBJECT |
Shakespeare, William, 1564-1616 fast |
| Subject |
Phenomenology and literature.
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Hermeneutics -- Philosophy
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Hermeneutics -- Philosophy
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Phenomenology and literature
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| Genre/Form |
Electronic books
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Criticism, interpretation, etc.
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Literary criticism
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Literary criticism.
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Critiques littéraires.
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| Form |
Electronic book
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| LC no. |
2022049745 |
| ISBN |
9004526633 |
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9789004526631 |
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