A film-diary shot in the occupied territories before and during the invasion of Lebanon. Field Diary also introduced what would become Gitai's signature style: the long, lateral tracking shots that, as Yann Lardeau noted in Cahiers du cinema, "become a question of morality ... we never enter into the reality of the war, but we always remain on the edge of the scene"
Notes
Title from resource description page (viewed July 22, 2020)
