Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgements -- About the Author -- INTRODUCTION -- CHAPTER 1: A Wobbly Road -- POLITICAL AND SOCIAL INFLUENCES ON HARRY READE'S EARLY LIFE (1927-1954) -- CHAPTER 2: On the Waterfront -- HARRY READE'S CREATIVE INFLUENCES AND DEVELOPMENT (1954-1956) -- CULTURAL CONTEXT OF THE SYDNEY WATERFRONT -- THE STUDIO OF REALIST ART AND THE WHARFIES ART GROUP -- THE SYDNEY WHARFIES' MURAL -- READE THE CARTOONIST -- WATERSIDE WORKERS' FEDERATION FILM UNIT -- CHAPTER 3: Wharfie Animation
DOMINANT TRENDS IN 1950s AUSTRALIAN ANIMATION -- THE WATERSIDE WORKERS' FEDERATION FILM UNIT AND ANIMATION -- LAND OF AUSTRALIA: ABORIGINAL ART -- 'Click Go the Shears' -- 'Four's a Crowd' -- THE END OF THE WWFFU -- THE SYDNEY PUSH -- CHAPTER 4: Our Man in Havana -- PARTICIPATING IN THE NATIONAL LITERACY CAMPAIGN -- ICAIC AND THE ESTABLISHMENT OF ESTUDIOS CUBANACĂN -- HARRY READE JOINS ICAIC -- EXHIBITING FILMS PRODUCED IN CUBA -- A BRIEF PERIOD IN MOSCOW: PERSONAL MATTERS -- THE PEPE SERIES -- DEPARTURE FROM CUBA AND ANIMATION -- BACK TO WORK IN AUSTRALIA -- CUBAN ACKNOWLEDGEMENT
CHAPTER 5: Harry Reade's Legacy -- APPENDIX: HARRY READE'S FILMOGRAPHY -- REFERENCES -- INDEX
