| Description |
1 online resource (229 p.) |
| Contents |
Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of figures -- List of contributors -- Chapter 1: Audiovisual and digital ethnography at Leiden -- The nature of this book: A practical and theoretical guide -- The content of this book -- Notes -- References -- Chapter 2: Learning to see -- Learning to see in the field -- Anthropologies of vision -- Learning to see is "enskilment" -- Learning to see is a social activity -- The phenomenology of enskilment in maritime carpentry -- Learning to see 'evidence' -- Learning to see is situated sensing -- Conclusion |
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Acknowledgement -- Notes -- References -- Chapter 3: Sonic Ethnography -- Introduction -- A (very) brief history of sonic ethnography -- Sonic ethnography as ontological poetics -- Microphones, recorders and how to operate them -- Exercises in listening and recording -- The poetics of editing -- Conclusion -- Notes -- Bibliography -- Mediagraphy -- Chapter 4: Graphic anthropology: a foundation for multimodality -- Introduction: graphophobia -- Homo scribens, a monomodal existence -- The multimodality of grapho -- Graphic methodologies: thinking, seeing, doing -- Putting drawing into practice |
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Graphic scholarship -- Unthinkable -- Notes -- References -- Chapter 5: Dialoguing events: An audiovisual toolkit for extended participatory observation -- Exploring the unknown -- The funeral of Nangseng: confusion, clarity and contradiction -- Multiple observations, multiple interpretations -- Engaging, participating, learning in Garo Hills -- Dialoguing events -- A toolkit for extended participatory observation -- Conclusions: co-creating ethnographic interpretations -- Notes -- References -- Chapter 6: Observational cinema as process, skill and method -- Introduction |
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Writing ethnography vis-à-vis audiovisual ethnography -- Ways of knowing -- Observational cinema and its two sisters -- Parameters of the selection process in observational filmmaking -- Four phases of ethnographic research through observational cinema -- Phase 1: Preliminary research, epistemological and ontological considerations -- Phase 2: Fieldwork with the camera and the skilled vision in observational filming -- Phase 3: Taking stock, "exegesis" and sequence editing -- Phase 4: Montage: Ethnographic analysis and narrative structure -- Conclusion: Observational cinema as a research method |
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Notes -- References -- Filmography -- Chapter 7: Interactive documentaries -- Introduction -- Interactivity and immersion -- Interaction -- Multilinear narratives -- Openness -- Expanded Reality -- Transportation and absorption -- Emplaced documentary -- Requirements -- Point of view -- Transitions -- Conclusion -- Acknowledgement -- Notes -- References -- Chapter 8: Digital ethnography, or 'deep hanging out' in the age of big data -- Ethnography in crisis? -- Defining digital ethnography -- Foundational issues: anthropological studies of digitalisation -- Recent ethnographic trends |
| Notes |
Description based upon print version of record |
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An ethnography of big data and algorithms |
| Subject |
Ethnology.
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Ethnology -- Technological innovations
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Digital media.
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Digital media
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Ethnology
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| Form |
Electronic book
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| Author |
Barendregt, Bart
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de Maaker, Erik
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De Musso, Federico
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Littlejohn, Andrew
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Maeckelbergh, Marianne
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Postma, Metje
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Westmoreland, Mark R
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| ISBN |
9781000484816 |
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1000484815 |
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