Limit search to available items
Book Cover
E-book
Author Brinkman, Bartholomew, 1979-

Title Poetic modernism in the culture of mass print / Bartholomew Brinkman
Published Baltimore : Johns Hopkins University Press, 2017

Copies

Description 1 online resource (ix, 272 pages)
Series Hopkins studies in modernism
Hopkins studies in modernism.
Contents Cover; Half-title; Title; Copyright; Contents; Acknowledgments; Introduction: Modern Poetry, Cultures of Collecting, and the Mediation of Mass Print; 1 As Good as Gold: Palgrave's Golden Treasury, Poetic Value, and the Objective Anthology; 2 Making Modern Poetry: Format, Form, and Modern Poetic Genre; 3 Scrapping Modernism: Marianne Moore and the Making of the Modern Collage Poem; 4 Selecting Modernism: Eliot, Faber, and Poetic Reproduction; 5 Instituting Modernism: The Rise of the Modern American Poetry Archive; Coda: Remaking Poetic Modernism after a Culture of Mass Print; Notes
Summary "In Poetic Modernism in the Culture of Mass Print, Bartholomew Brinkman argues that an emerging mass print culture conditioned the production, reception, and institutionalization of poetic modernism from the latter part of the nineteenth century through the middle of the twentieth century--with lasting implications for the poetry and media landscape. Drawing upon extensive archival research in the United States and Britain, Brinkman demonstrates that a variety of print collecting practices--including the anthology, the periodical, the collage poem, volumes of selected and collected poems, and the modern poetry archive--helped structure key formal and institutional sites of poetic modernism. Brinkman focuses on the generative role of book collecting practices and the negotiation of print ephemera in scrapbooks. He also traces the evolution of the modern poetry archive as a particular case of the mid-twentieth-century rise of literary archives and identifies parallels between the beginning of mass print culture at the end of the nineteenth century and the growth of digital culture today. Advocating for a transatlantic modernism that stretches roughly from 1880 to 1960--one that incorporates both popular and canonical poets--Brinkman successfully extends the geographical, historical, and vertical dimensions of modernist studies. Poetic Modernism in the Culture of Mass Print will appeal not only to scholars and students of literary modernism, modern periodical studies, book history, print culture, media studies, history, art history, and museum studies but also to librarians, archivists, museum curators, and information science professionals"-- Provided by publisher
Bibliography Includes bibliographical references and index
Subject Modernism (Literature) -- United States
Modernism (Literature) -- Great Britain
American poetry -- 20th century -- History and criticism
English poetry -- 20th century -- History and criticism
Mass media and literature -- United States
Mass media and literature -- Great Britain
Poetics.
Publishers and publishing -- United States
Publishers and publishing -- Great Britain
Book collecting -- United States
Book collecting -- Great Britain
Literature -- Philosophy.
ANTIQUES & COLLECTIBLES -- Books.
LITERARY CRITICISM -- Semiotics & Theory.
LITERARY CRITICISM -- American -- General.
Literature -- Philosophy
American poetry
Book collecting
English poetry
Mass media and literature
Modernism (Literature)
Poetics
Publishers and publishing
Great Britain
United States
Genre/Form Criticism, interpretation, etc.
Form Electronic book
ISBN 1421421356
9781421421353