| Description |
1 online resource (192 pages) |
| Series |
SOAS Musicology Series |
|
SOAS musicology series.
|
| Contents |
Cover Page; Title Page; Copyright Page; Contents; List of Figures; List of Music Examples; Notes on Contributors; Foreword by Richard Bauman; Acknowledgments; Introduction: Doing Ethnomusicology â#x80;#x9C;Texas-Styleâ#x80;#x9D;: A Musical (Re)Turn to Performance; PART I: GENRES, HISTORIES, AND DISCOURSES OF POWER PERFORMED; 1 The Teatro Bufo: Cuban Blackface Theater of the Nineteenth Century; 2 La MÃðsica Nacional: A Metaphor for Contrasting Views of Ecuadorian National Identity; 3 Conserve, Adapt, and Reconverge: Rationalizing a Template in Hawaiâ#x80;#x99;i Puerto Rican Musical Performance |
|
PART II: PERFORMING PRACTICE: STYLE AND THE POLITICS OF SUBJECTIVITY4 Transformation in Communion: Toward an Aesthetic of Improvisation; 5 Feminine Flowers among the Thistles: Gendered Boundaries of Performance in Chilean Canto a lo poeta; PART III: SITUATED EVENTS AND PERFORMANCE POLITICS: FIESTA, FESTIVAL, STAGE, AND STREET; 6 The Way of Sorrows: Performance, Experience, and the Moral Society in Northern Ecuador; 7 Performing Indigeneity: Poetics and Politics of Music Festivals in Highland Bolivia; References |
| Notes |
Print version record |
| Subject |
Music-Latin America-History and criticism
|
|
Music-Social aspects-Latin America
|
| Form |
Electronic book
|
| ISBN |
9781317052388 |
|
1317052382 |
|
