| Description |
1 online resource |
| Contents |
Cover; Half Title; Title; Copyright; Contents; Preface; Acknowledgments; 1 Experimental; The Double Period of Experimental Writing; Language: Representing and Intervening; Epistemic Virtues and the Abstraction of Knowledge; Romantic and Other Precedents; Experimental Writing Is a White Recovery Project; The Language of the Future; 2 Flash; A Momentary Gleam of Light: Flash's Time; An Abstract of the World: Flash's Condensation; Black Riders: Flash's Chiaroscuro; Faces in the Crowd: Figuration, Redemption, Information; 3 Objectivity |
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Bad Scientist: The Harvard Psychological Laboratory and Bottom NaturesCamera Work: Vision and Female Objectivity; "To Make Confusion Clear": Wandering and Objectification; Seeing Clear: Portraits and Repetition; 4 Precision; The First Grace of Style; Natural History; or, the Principle That Is Hid; Open Secrets of the Natural World; Various Scalpels; Distrust of Merits; 5 Contact; Contact and First Contact; Nakedness and the Form of Contact; Recovery, Salvage, and the Untimeliness of Contact; The Final Frontier; Coda. Future Texts; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K |
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LM; N; O; P; R; S; T; V; W; Y; Z |
| Notes |
Online resource; title from PDF title page (EBSCO, viewed November 18, 2019) |
| Subject |
Knowledge, Theory of.
|
|
Philosophy, American.
|
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American literature -- Criticism and interpretation
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epistemology.
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American literature
|
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Knowledge, Theory of
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Philosophy, American
|
| Genre/Form |
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| ISBN |
9781421433783 |
|
1421433788 |
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