| Description |
1 online resource (xviii, 342 pages) : illustrations |
| Contents |
Intro; Foreword; Contents; Notes on Contributors; Chapter 1: Introduction; 1.1 Book Structure; References; Part I: Critical and Reflexive Engagements; Chapter 2: Considering the Relationship Between Digitally Mediated Audience Engagement and the Dance-Making Process; 2.1 Introduction; 2.2 Background and Context; 2.3 Liz Lerman's Critical Response Process and Its Place in the Creation of Dance Works; 2.4 Creating Empathetic Audience Relationships; 2.5 Engaging Audiences Digitally; 2.6 The Artist's Perspective; 2.7 Development of Dance-Making Practice; 2.8 Implications; 2.9 Conclusion4.4 Transformed Choices: Digital Environments4.5 Case Study: Modulation_one: A Brief Description; 4.6 Dancing Amidst the Tangible and Intangible; 4.7 Converging in Live and Digital Domains; 4.8 Concluding Thoughts; References; Part II: Space, Time and Memory: Digital Interventions; Chapter 5: Bark and Butterflies: Redeeming the Past-Digital Interventions into Post-Memory; 5.1 Introduction; 5.2 Background: The Palka Diaries Project; 5.3 Return to the Gulag; 5.4 The Diary; 5.5 Inter/Generational Trauma; 5.6 The Journey; 5.7 Interventions; 5.7.1 Performed Readings and Projections 5.7.2 Projections and Photos5.7.3 Speakers; 5.7.4 Projection; 5.7.5 Klub; 5.8 Reflections; 5.9 Bark and Butterflies: Siberia in a Suitcase; References; Chapter 6: Chorotopical Art: Mediating the Atmospheres of Cultural Sites to Create a New Spatial Logic; 6.1 Introduction; 6.2 The Canterbury Cathedral Water Tower; 6.3 The Crypt of St Pancras Parish Church London; 6.4 Conclusion; References; Chapter 7: (Ukulele) Strings of Knowledge: Tactile and Digital Interactivity with Archives and Ethnography; 7.1 Introduction; 7.1.1 Case Studies: Background 7.2 Interactive Anthropology (Technical Overview): Two Projects7.3 Discussion; 7.3.1 Sensory Approaches to Interactivity; 7.3.2 Implications for ICH; 7.4 Conclusion; References; Chapter 8: Open State: Event Spaces of Infinite Perspective; 8.1 Introduction; 8.2 Main Text; 8.3 Exchange; 8.4 Collaboration; 8.5 The Individual Voice; 8.6 Improvisation 1; 8.7 Multiple Voices; 8.8 Compositional Potentials: The Human Voice; 8.9 Compositional Potentials: Voice Connections; 8.10 Pure Data: Choreographer's Notes; 8.11 Pulled Apart Duo: Choreographer's Notes; 8.12 Pulled Apart Choreographer |
| Summary |
This book explores the interplay between performing arts, intangible cultural heritage and digital environments through a compendium of essays on emerging practices and case studies, as well as critical, historical and theoretical perspectives. It features essays that engage with varied forms of intangible cultural heritage, from music and storytelling to dance, theatre and martial arts. Cases of digital technology interventions are provided from different geographical and cultural settings, from Europe to Asia and the Americas. Together, the collection reflects on the implications that digital interventions have on intangible cultural heritage engagements, its curation and transmission in diverse localities. The volume is a valuable resource for discovering the multiple ways in which cultural heritage is mediated through digital technologies, and engages with audiences, artists, users and researchers |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Print version record |
| Subject |
Technology and the arts.
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Cultural property -- Digitization
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Performing arts -- Technological innovations
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ART -- Performance.
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ART -- Reference.
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Cultural property
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Technology and the arts
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| Form |
Electronic book
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| Author |
Whatley, Sarah, editor
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Cisneros, Rosamaria K., editor
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Sabiescu, Amalia, editor
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| ISBN |
9783319738178 |
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3319738178 |
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