| Description |
1 online resource (x, 213 pages) |
| Contents |
Shifting Ground: On the Critical Practice of Lucy R. Lippard -- The Masculine Imperative: High Modern, Postmodern -- What's So "Bad" About 'Em? -- How many "bad" feminists does it take to change a lightbulb? -- Are You Experienced? Feminism, Art and the Body Politic -- Eating from the Dinner Party plates and other myths, metaphors, and moments of lesbian enunciation in feminism and its art movement -- L.A. Womyn: The Feminist Art Movement in Southern California, 1970-1979 |
| Summary |
In recent years, Laura Cottingham has emerged as one of the most visible feminist critics of the so-called post-feminist generation. Following a social-political approach to art history and criticism that accepts visual culture as part of a larger social reality, Cottingham's writings investigate central tensions currently operative in the production, distribution and evaluation of art, especially those related to cultural production by and about women. Seeing Through the Seventies: Essays on Feminism and Art gathers together Cottingham's key essays from the 1990's. These include |
| Bibliography |
Includes bibliographical references |
| Notes |
Print version record |
| Subject |
Feminism and art.
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Women in art.
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Women artists.
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Art, Modern -- 20th century.
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Art, Modern.
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ART -- History -- General.
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Art, Modern
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Feminism and art
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Women artists
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Women in art
|
| Form |
Electronic book
|
| ISBN |
9781134394548 |
|
1134394543 |
|
9781315078656 |
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1315078651 |
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