| Description |
1 online resource (xiii, 290 pages) |
| Contents |
Cover; Contents; Acknowledgments; Introduction. The Human Age; Chapter 1. The Form of Man; Conjecture, History, Science, Fiction; The Faculty of Perfection; The Formation of Humanity; The Paragon of Animals; Chapter 2. The Form of the Novel; Novelistic Revolution; Bildungsroman; Infinity or Totality; The Classical Form of the Historical Novel; The Dignity of the Human Race, the Glory of the World; Dark Unhappy Ones; Chapter 3. Lamarckian Historical Romance; Of Paris; Retrograde Evolution; Reading in the Dark; Le grotesque au revers du sublime; The Great Book of Mankind |
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Chapter 4. Dickens: TransformistNo Humanity Here; The Poetry of Science; Dickens's Teratology; The Prose of the World; Visionary Dreariness; The Noise of the World; Chapter 5. George Eliot's Science Fiction; We Belated Historians; Knowledge and Its Languages; Species Consciousness; An Intellectual Passion; Involuntary, Palpitating Life; An Inherited Yearning; Shadows of the Coming Race; Notes; Bibliography; Index |
| Summary |
A major rethinking of the European novel and its relationship to early evolutionary scienceThe 120 years between Henry Fielding's Tom Jones (1749) and George Eliot's Middlemarch (1871) marked both the rise of the novel and the shift from the presumption of a stable, universal human nature to one that changes over time. In Human Forms, Ian Duncan reorients our understanding of the novel's formation during its cultural ascendancy, arguing that fiction produced new knowledge in a period characterized by the interplay between literary and scientific discourses--even as the two were separating into distinct domains. Duncan focuses on several crisis points: the contentious formation of a natural history of the human species in the late Enlightenment; the emergence of new genres such as the Romantic bildungsroman; historical novels by Walter Scott and Victor Hugo that confronted the dissolution of the idea of a fixed human nature; Charles Dickens's transformist aesthetic and its challenge to Victorian realism; and George Eliot's reckoning with the nineteenth-century revolutions in the human and natural sciences. Modeling the modern scientific conception of a developmental human nature, the novel became a major experimental instrument for managing the new set of divisions--between nature and history, individual and species, human and biological life--that replaced the ancient schism between animal body and immortal soul. The first book to explore the interaction of European fiction with "the natural history of man" from the late Enlightenment through the mid-Victorian era, Human Forms sets a new standard for work on natural history and the novel |
| Bibliography |
Includes bibliographical references and index |
| Notes |
In English |
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Online resource; title from PDF title page (EBSCO, viewed July 15, 2019) |
| Subject |
European fiction -- 18th century -- History and criticism
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European fiction -- 19th century -- History and criticism
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Evolution (Biology) in literature.
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Humanity in literature.
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LITERARY CRITICISM -- European -- General.
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European fiction
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Evolution (Biology) in literature
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Humanity in literature
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Ludzkość.
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Literatura europejska -- 19 w. -- historia i krytyka.
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Literatura europejska -- 18 w. -- historia i krytyka.
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| Genre/Form |
Electronic books
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Criticism, interpretation, etc.
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| Form |
Electronic book
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| ISBN |
9780691194189 |
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0691194181 |
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