Title Custom, common law, and the constitution of English Renaissance literature / Stephanie Elsky

Edition First edition Published Oxford, United Kingdom : Oxford University Press, 2020 ©2020

Click on the following:
Oxford Scholarship Online

Copies

Description 1 online resource : illustrations Series Law and literature Law and literature (Oxford) Contents Introduction: custom and Renaissance literature -- Time out of mind: custom and the politics and poetics of duration -- The commonwealth of custom in Thomas More's Utopia -- Inventing custom: meter, etymology, and conquest in the Spenser-Harvey Letters and Spenser's A View of the Present State of Ireland -- Performing custom: poetry and the Aporia of constitutional authorship in Sidney's Old Arcadia -- Cultivating custom: the poetics of the commonplace in Isabella Whitney's A Sweet Nosgay -- Forgetting custom?: rebellion, revolution, and Narratio in Sir Thomas More and Shakespeare's Hamlet -- Conclusion: custom's futures Summary "Custom, Common Law, and the Constitution of English Renaissance Literature argues that, ironically, custom was a supremely generative literary force for a range of Renaissance writers. Custom took on so much power because of its virtual synonymity with English common law, the increasingly dominant legal system that was also foundational to England’s constitutionalist politics. The strange temporality assigned to legal custom, that is, its purported existence since “time immemorial,” furnished it with a unique and paradoxical capacity—to make new and foreign forms familiar. This monograph shows that during a time when novelty was suspect, even insurrectionary, appeals to the widespread understanding of custom as a legal concept justified a startling array of fictive experiments. This is the first monograph to reveal fully the relationship between Renaissance literature and legal custom. It shows how writers were able to reimagine moments of historical and cultural rupture as continuity by appealing to the powerful belief that English legal custom persisted in the face of conquests by foreign powers. Custom, Common Law, and the Constitution of English Renaissance Literature thus challenges scholarly narratives in which Renaissance art breaks with a past it looks back upon longingly and instead argues that the period viewed its literature as imbued with the aura of the past. In this way, through experiments in rhetoric and form, literature unfolds the processes whereby custom gains its formidable and flexible political power. Custom, a key concept of legal and constitutionalist thought, shaped sixteenth-century literature, while this literature, in turn, transformed custom into an evocative mythopoetic"--Publisher's description Bibliography Includes bibliographical references and index Notes Online resource; title from web page (Oxford Scholarship Online, viewed on November 25, 2020) Subject English literature -- Early modern, 1500-1700 -- History and criticism Law and literature -- Great Britain -- History -- 16th century Manners and customs in literature. Common law -- Great Britain -- History Common law English literature -- Early modern Law and literature Manners and customs in literature Great Britain Genre/Form Criticism, interpretation, etc. History Form Electronic book ISBN 9780192605856 0192605852 9780191893421 0191893420

  Permalink