| Description |
1 online resource (212 pages) : illustrations (some color) |
| Series |
Theatre studies ; volume 123 |
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Theater (Transcript (Firm)) ; Bd. 123.
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| Contents |
Energy and forces as aesthetic interventions : an introduction -- How to talk about energy? -- Dancing the energy/energizing the dancing -- Aesthetic scenarios of energeia -- "I was seeking and finally discovered the central spring of all movement" -- Energetic forces as aesthetic forces -- Cosmology of forces, performative fields -- Gesture, energy, critique -- Training neoliberal dancers -- Energy, eukinetics, and effort -- Margrét Sara Guðjónsdóttir's "Full Drop into the Body" -- Working processes in dance |
| Summary |
This volume collects academic as well as artistic explorations highlighting historical and contemporary approaches to 'the energetic' in its aesthetic and political potential. Energetic processes straddle dance, performance art and installations. They transform the body, evoke specific states and push towards intensities. In contemporary dance and performance art, energetic processes are no longer mere conditions of form but appear as distinct aesthetic interventions. The contributions in this volume submit these to thorough investigation, elucidating maneuvers of mobilization, activation, initiation, regulation, navigation and containment of forces as well as different potentials and |
| Bibliography |
Includes bibliographical references |
| Notes |
Sabine Huschka is head of the research project Transgressionen funded by the German Research Fund (DFG) at the Inter-University Centre for Dance (HZT) and Berlin University of the Arts. She submitted her habilitation on Wissenskultur Tanz: Der choreographierte Körper im Theater in 2011 at the University of Leipzig and received her Ph.D. at Humboldt University, Berlin for her dissertation Merce Cunningham und der Moderne Tanz (summa cum laude). Her research focusses on cultural-theoretical approaches to stage dance, dance and knowledge, historiography of stage dance, re-enactment, as well as aesthetic theories of modern, postmodern and contemporary dance with special emphasis on aisthesiological and performance-analytical approaches. Barbara Gronau is Professor of Theatre Studies at the Berlin University of Arts and Spokesperson of the Research Training Group »Knowledge in the Arts«, funded by the German Research Fund (DFG). She received her Ph.D. for her dissertation Theaterinstallationen. Performative Räume bei Beuys, Boltanski und Kabakov (2010), for which she obtained the »Joseph Beuys Award for Research«. Since her interest is also in theatre practice, she worked as a dramaturg and curator for several theatre productions and festivals |
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In English |
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Print version record |
| Subject |
Movement, Aesthetics of.
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Motion.
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Performing arts.
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motion.
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performing arts (discipline)
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PERFORMING ARTS -- Theater -- History & Criticism.
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PERFORMING ARTS / Theater / History & Criticism
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Motion
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Movement, Aesthetics of
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Performing arts
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| Form |
Electronic book
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| Author |
Huschka, Sabine, editor.
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Gronau, Barbara, editor.
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| ISBN |
9783839447031 |
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3839447038 |
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383764703X |
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9783837647037 |
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