| Description |
1 online resource (306 pages) |
| Contents |
Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; Preface; Acknowledgments; Author; Introduction; The Bucket and the Pipeline; Chaos and Control; How to Use This Book; Reading the Book; The Book as a Reference Guide; A Note about Language; What to Expect; Section I : The Five Elements; Section II : The Capture; Chapter 1: A Superskill; Why Is This Important?; Chapter 2: Capturing Techniques; Get Personal; Wet Captures; Dry Captures; A Splash of Details; Exaggeration; Condensing and Expanding; Expanding Your Capture; Condensing; Practice Makes Perfect |
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Chapter 3: The Dual-Thinking EngineThe Dry Capture; Why Go Dry?; Control; Structure; Logic; Editability; The Wet Capture; Why Go Wet?; Visceral; Dynamic; Surprising; Creative; Is the Left Brain Evil?; Synergy Techniques; Layering; Clustering; Blending; Balance Your Brains; Chapter 4: The Capture Safety Rules; Focus on Communicationâ#x80;#x94;Not Craft; Donâ#x80;#x99;t Invest Too Much Effort; Donâ#x80;#x99;t Limit Yourself to Your Comfort Medium; Section III : The Concept; Chapter 5: The Blank Page; The Mechanics of Inspiration; Generating Magic; Ideas vs. Concepts; A 10-Minute Exercise; An Endless Stream of Ideas |
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Chapter 6: Breaking Your Thinking PatternsThe Hidden Corridors of Your Mind; Take a Break; Change Your Tools; Get Silly; Use External Pattern Breakers; Harness More Brains; Inspiration Sparks; Chapter 7: Forming Concepts; Daydream Mode; Playing Lego; The First Concept Trap; More Pattern Breaking; Chapter 8: Your Final Concept; Choosing Wisely; Final Wet Capture; Chapter 9: The Concept Safety Rules; Always Start from Within; Donâ#x80;#x99;t Overdo It; Choose, Donâ#x80;#x99;t Mix; Section IV : The Vision; Chapter 10: The Gap; Not a Walk in the Park; A Good Investment; A Driving Force; The Missing Quote |
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Chapter 11: The StudyThe Dry Study; Collecting Captures; More Raw Materials; The Wet Study; An UnFortunate Event; Feeding Your Brain; Chapter 12: The Premake; A Unique Vantage Point; Why Should You Test Your Vision?; An Anchor for Your Vision; A Message to Your Future Self; Your Most Important Communication Tool; What Makes a Good Premake?; Fast; Cheap; Easy to Take In; Chapter 13: The Vision Safety Rules; Always Set a Timeframe; â#x80;#x9C;If It Comes Out Okay, Maybe Weâ#x80;#x99;ll Use Itâ#x80;#x9D;; Juice Up the Mundane; Donâ#x80;#x99;t Pass on Challenging Your Premake; Section V : THE PRODUCTION |
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Chapter 14: The Artist and the CriticDropped the Ball; Fixing the Fix; Separation of Roles; Chapter 15: The First Pass; The Premake as the First Pass; Chapter 16: The Critic; Asking the Right Question; A Point of Reference; A Biased Judge; Take a Break; Change Your View; Put It in Its Context; Show It; Critiquing with Both Sides of Your Brain; Step 1: Wet Scan; Step 2: Capture; Step 3: The Dry Scan; A Shopping List; Chapter 17: The Artist; A Fenced Playground; Detecting Trouble; Course Correction; Enjoy the View; Chapter 18: Advanced Production Topics; Straight Stairs Going Up |
| Notes |
Explosive Progress |
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Print version record |
| Subject |
Work.
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Creative ability.
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Work
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Creativity
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labor.
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creativity.
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Creative ability
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Work
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| Form |
Electronic book
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| ISBN |
9781351673228 |
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135167322X |
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