| Description |
1 online resource (52 minutes) |
| Summary |
Airelle Besson is an accomplished musician who has studied at the conservatory (not only trumpet, but also violin and harmony) and performed in large ensembles (Orchestre National de Jazz, Le Sacre du Tympan). She has established herself on the French jazz scene for the beauty of her trumpet sound as well as for the quality of her compositions. Her quartet wasn't assembled in a hurry; she appreciates drummer Fabrice Moreau's colorist approach and pianist Benjamin Moussay's open-mindedness. If she chose the Swedish Isabelle Sörling, it's because this singer with a crystal-clear voice has an incredible range and she sees herself above all as an instrumentalist who blends into the sound mass (there's a beautifully modern scat in "Candy Parties").The shared preliminary thinking was not to prescribe anything. This is what the listener perceives; it's all in the suggestion. Could it be a new romanticism that's more Nordic than Latin? **Philippe Lesage** |
| Notes |
Title from title screen (viewed December 15, 2022) |
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Dedication note: "en hommage à Jérôme de Missolz" |
| Performer |
Airelle Besson, trumpet ; Isabel Sörling, vocals ; Benjamin Moussay, piano ; Fender Rhodes, synth bass ; Fabrice Moreau, drums |
| Event |
Recorded Espace 1789 de Saint Ouen March 18, 2016 |
| Notes |
Sung and presented in French |
| Subject |
Jazz -- 2011-2020
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Jazz vocals
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| Genre/Form |
Concert films.
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Jazz.
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Songs.
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| Form |
Streaming video
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| Author |
Lachassagne, Geoffrey, director
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Le Mao, Gilles, director
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Dero, Guillaume, director
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Sörling, Isabel, singer
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Moussay, Benjamin, instrumentalist
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Moreau, Fabrice, instrumentalist
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Huit Production, production company
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TV Fil 78 (Firm), production company
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Qwest TV, publisher
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Banlieues Bleues (Festival), production company
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