| Description |
1 online resource (249 p.) |
| Series |
Routledge Studies in Shakespeare Ser |
|
Routledge Studies in Shakespeare Ser
|
| Contents |
Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Table of contents -- Illustrations -- Contributor Biographies -- Acknowledgments -- Introduction -- Studying Shakespeare's Audiences -- Structure of the Volume -- Postscript -- Notes -- Bibliography -- Embodied Audiences -- 1 Respiratory Sympathy and Pneumatic Community in Shakespeare -- Pneumatic Ecology and Community -- Respiratory Mimesis (Gestures, Attention, and Enactivism) -- Witnessing the Breath in King Lear -- Notes -- Bibliography -- 2 Recovering the Humoral Body through Original Practice Performance |
|
Introduction -- Humoral Theory and Performance -- Smell -- Touch -- Contagion -- Conclusion -- Notes -- Bibliography -- 3 Haptic Experience and Fluid Boundaries: Macbeth and Czech Nationalism at Český Krumlov's Revolving Theater -- The Performance Experience -- The Stage as Surround -- "History is now and England"?17 Standing in Place -- Union of the (British) Crowns/ The Lands of the Bohemian Crown -- Notes -- Bibliography -- Constructing Audiences -- 4 The most lamentable Romaine Tragedie of Titus Andronicus and Audiences from the Inns of Court -- Notes -- Bibliography |
|
5 "Cleave the General Ear": Shakespeare and the Cultural Bias of Early American Radio -- Theaters of the Mind -- Radio, Reading, and Anti-theater -- Notes -- Bibliography -- 6 Indian Shakespeare Cinema and the Active Audience -- Crowd Response -- Selective Viewing -- Song and Dialogues -- Conclusion -- Notes -- Bibliography -- 7 Gender, Aura, and the Close-Up: Broadcasting Shakespeare for Female Audiences -- Reactivating Walter Benjamin's "Aura" in the Hybrid Medium of Theater Broadcast -- Gendering Presence: Two Case Studies -- Notes -- Bibliography -- Performing Audiences |
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8 Shakespeare's Riotous Audiences : Macbeth at Astor Place, 1849 -- Mobilizing the Audience -- The Dynamics and Nature of Audience Response -- Macbeth On and Beyond the Stage -- Notes -- Bibliography -- 9 "How novelty may move": Play and the Boundaries of the Play in the New York Shakespeare Festival's Mobile Theater -- Framing the Outdoors, Framing the Audience -- Shakespeare and the Bronx -- or, the Case of the Forest Houses Playground -- Thunder in the Valley -- or, the Case of Morningside Park -- "Your danger's ours" -- or, the Case of the Madison St. and Ralph Ave. Playground -- Notes |
| Notes |
Description based upon print version of record |
| Bibliography |
Bibliography -- 10 Imagined Theater: Why Fan Audiences Matter -- Shakespeare Audiences as Fans -- Memes as Microperformances -- Notes -- Bibliography -- Observing Audiences -- 11 "A vulgar comment will be made of it": YouTube and Robert Weimann's Platea -- Flexible Dramaturgy: Locus and Platea -- YouTube's Platea and Audience Comments -- Conclusion -- Notes -- Bibliography -- 12 Shakespeare's Digital School Audience: Agency and Control in the Reception of an RSC Schools' Broadcast -- Watching Twelfth Night at School: March 8, 2018 -- Beyond "Brand Recognition": Agency in the Classroom and Online |
| Notes |
Conclusion: Shaping Value |
| Form |
Electronic book
|
| Author |
Kirwan, Peter
|
| ISBN |
9781000352535 |
|
1000352536 |
|
