| Description |
1 online resource (xi, 281 pages) : illustrations |
| Contents |
Cover; Half-title; Title; Copyright; Contents; List of Illustrations; Preface and Acknowledgments; CHAPTER ONE Understanding and Dispositions; CHAPTER TWO Understanding Point-of-View Editing; CHAPTER THREE Variable Framing and Personal Space; CHAPTER FOUR Character Psychology and Mental Attribution; CHAPTER FIVE The Case for a Psychological Theory of Cinema; Notes; References; Index |
| Summary |
Understanding Cinema analyzes the moving imagery of film and television from a psychological perspective. Per Persson argues that spectators interpret, feel, make use of knowledge, assumptions, expectations and prejudices when viewing and making sense of film. Drawing on psychology and anthropology, he explains how cinematic techniques work, and why they affect the spectator |
| Bibliography |
Includes bibliographical references (pages 261-275) and index |
| Notes |
English |
|
Print version record |
| Subject |
Motion pictures -- Psychological aspects
|
|
PERFORMING ARTS -- Film & Video -- History & Criticism.
|
|
Motion pictures -- Psychological aspects
|
|
Psychologie
|
|
Film
|
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Filmkunst.
|
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Vertelsituatie.
|
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Psychologische aspecten.
|
| Form |
Electronic book
|
| LC no. |
2002034988 |
| ISBN |
0511064748 |
|
9780511064746 |
|
0511073208 |
|
9780511073205 |
|
0511058411 |
|
9780511058417 |
|
9780511497735 |
|
0511497733 |
|
128041975X |
|
9781280419751 |
|
9786610419753 |
|
6610419752 |
|
0511179669 |
|
9780511179662 |
|
0511203640 |
|
9780511203640 |
|
0511306601 |
|
9780511306600 |
|
