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Author Rust, Amy, 1974- author.

Title Passionate detachments : technologies of vision and violence in American Cinema, 1967-1974 / Amy Rust
Published Albany, NY : State University of New York Press, [2017]

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Description 1 online resource : illustrations
Series SUNY series, horizons of cinema
Contents Introduction: The logic of film violence, or, figuring the sense in sensation -- A parallax view: the violent synchrony of multiple-speed montage -- Violence incarnate: squibs, artificial blood, and wounds that speak -- Hitting the "vérité jackpot": the ecstatic profits of freeze-framed violence -- Extraction and exchange: the zoom and environmental intension -- Conclusion: Passionate detachments
Summary Passionate Detachments" investigates the rise of graphic violence in American films of the late 1960s and early 1970s and the popular aesthetics and critical responses this violence inspired. Amy Rust examines four technologies adopted by commercial American cinema after the fall of the Hollywood Production Code: multiple-camera montage, squibs (small explosive devices) and artificial blood, freeze-frames, and zooms. Approaching these technologies as figures, as opposed to mere tools, Rust traces the encounters they mediate between perception (what one sees, hears, and feels) and representation (how those sights, sounds, and feelings make meaning). These technologies, she argues, lend shape to film violence while organizing viewers? on- and off-screen relationships to it. The result proves meaningful for an era self-consciously and perilously preoccupied with bloodshed. The post-Code period found Americans across the political spectrum demanding visual - and increasingly violent - demonstrations of presumably?authentic? realities. Corroborating fantasies of authenticity from military to counterculture, these technologies challenge them as well, pointing, however unwittingly, to the violently classed, gendered, and racialized blind spots such fantasies harbor. More broadly, the technologies answer concerns that films control violence too much or too little. Offering neither mere discoursenor mere thrills, they recover sense and sensation for all, not some, or even most, depictions of bloodshed
Bibliography Includes bibliographical references and index
Notes Description based on online resource; title from PDF title page (Site, viewed 06/29/2022)
Subject Violence in motion pictures.
Motion pictures -- United States.
Motion pictures -- Social aspects -- United States
PERFORMING ARTS - Reference.
Motion pictures
Motion pictures -- Social aspects
Violence in motion pictures
United States
Form Electronic book
LC no. 2016047975
ISBN 9781438465418
1438465416