| Description |
1 online resource (272 pages) |
| Contents |
Cover; Half Title; Title; Copyright; Contents; List of Illustrations; List of Tables; List of Music Examples; Notes on Contributors; Preface; Acknowledgements; List of Abbreviations; Editor's Introduction; PART I IDENTITY AND PRACTICE IN AQUITANIAN AND IBERIAN PLAINCHANT; 1 Adémar de Chabannes at the Nexus of Tradition and Innovation; 2 Seeking Early Practice for the Exultet in Iberia; 3 Regional and Royal: Aspects of Practice in Three Portuguese Prints of the Lamentations of Jeremiah (1543-95); 4 Plainsong in Eastern Spain and the tono valenciano |
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PART II LATE MEDIEVAL AESTHETICS, TRADITIONS AND PRACTICES5 Some Early References to Aristotle's Politics in Parisian Writings about Music; 6 Music and Moral Philosophy in Early Fifteenth-Century Padua; 7 Late-Medieval Sacred Songs: Tradition, Memory and History 2006 Gordon Athol Anderson Memorial Lecture; PART III LOCAL PRACTICES IN RENAISSANCE AND BAROQUE MUSIC; 8 Pervasive Imitation in Senfl's Ave Maria ... Virgo Serena: Borrowing from Josquin in Sixteenth-Century Augsburg |
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9 Alessandro Scarlatti and the Roman Copies of his Neapolitan Compositions: A Source Study of the Serenata Venere, Adone et Amore (1696) 10 'After Six Weeks': Music for the Churching Ceremonies of Maria Josepha, Electoral Princess of Saxony and Queen of Poland; Bibliography; Index |
| Notes |
Print version record |
| Form |
Electronic book
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| ISBN |
9781351563383 |
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1351563386 |
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