| Description |
1 online resource (204 pages) |
| Series |
Faux titre, 0167-9392 ; 335 |
|
Faux titre ; 335.
|
| Contents |
No Art's Land -- Reasonable Madness -- The Image, One Image, Images -- The Fascinated Eye |
| Summary |
"The paradox of photography analyzes the discourse on photography by four of the most important modern French poets and theorists (Baudelaire, Breton, Barthes and Valéry). It stresses in particular the importance of this visual language for the development of both new forms of narrative and original critical studies on issues of representation in art. It also reflects upon the integration of photography within the domain of technical modernity while emphasizing its aesthetic identity stemming from the Western tradition of figurative painting."--Page 4 of cover |
| Bibliography |
Includes bibliographical references (pages 191-197) and index |
| Notes |
English |
| Subject |
Baudelaire, Charles, 1821-1867 -- Aesthetics
|
|
Breton, André, 1896-1966 -- Aesthetics
|
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Barthes, Roland -- Aesthetics
|
|
Valéry, Paul, 1871-1945 -- Aesthetics
|
| SUBJECT |
Barthes, Roland fast |
|
Baudelaire, Charles, 1821-1867 fast |
|
Breton, André, 1896-1966 fast |
|
Valéry, Paul, 1871-1945 fast |
| Subject |
Photography, Artistic -- History and criticism
|
|
Photography, Artistic -- Themes, motives
|
|
Literature and photography -- France -- History and criticism
|
|
Photography, Artistic -- History
|
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TECHNOLOGY & ENGINEERING -- Imaging Systems.
|
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PHOTOGRAPHY -- Reference.
|
|
Aesthetics
|
|
Literature and photography
|
|
Photography, Artistic
|
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Photography, Artistic -- Themes, motives
|
|
France
|
| Genre/Form |
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| ISBN |
9789042026674 |
|
9042026677 |
|
1282505238 |
|
9781282505230 |
|
9786612505232 |
|
6612505230 |
|
