TABLE OF CONTENTS; PREFACE; CHAPTER ONE; WOMEN'S MEMORY, WHOSE MEMORY?; CHAPTER TWO; THE ITALIAN DIGITAL WOMEN'S LIBRARY IN THE CONTEXT OF EUROPE; NEW PERSPECTIVES ON THE ROLE OF THE WOMEN'S LIBRARY IN THE DIGITAL WORLD; CHAPTER THREE; ART, LITERATURE AND JOURNALS; VISUAL MATERIAL AS A SOURCE FOR THE STUDY OF OTTOMAN WOMEN IN THE EARLY MODERN ERA; "HOW TO READ" INSTEAD OF "WHAT TO READ"; LETTERS AND PETITIONS; THE CORRESPONDENCE OF OTTOMAN WOMEN DURING THE EARLY MODERN PERIOD (16TH-18TH CENTURIES); IMPACT OF WOMEN LETTERS TO THE MODERNIZATION AND INDIVIDUALIZATION PROCESS OF OTTOMAN WOMEN
PETITIONS AS A SOURCE IN WOMEN'SHISTORY OF THE REPUBLICAN PERIODSOURCE AND ARCHIVE USE IN TEACHING WOMEN'S HISTORY IN ELEMENTARY AND SECONDARY SCHOOLS IN TURKEY; ORAL HISTORY; PRESSING THE "RECORD" BUTTON FOR HEARING WOMEN'S VOICE IN THE PAST ... ; STUDYING POWER AS ASSET AND LIABILITY FOR WOMEN THROUGH ORAL HISTORY; "WOMEN'S ORAL HISTORY AND DOCUMENTARY FILM"; WOMEN'S NARRATIVES AS SOURCES FOR THE STUDY OF ESHRAF FAMILIES; CINEMA; TURKISH CINEMA; HOW DID TURKISH WOMEN LOOK? EXCAVATING WOMEN'S CINEMATIC EXPERIENCE IN ISTANBUL, 1922-1950; YESILCAM FILMS AND NARRATIVE PATTERNSIN GENDER STUDIES
Summary
Women's archives appear to have been largely disregarded until the last couple of decades. Most countries lack well-documented archives, and the question of methodology has become a common concern and ever more significant for the researchers. Aiming to contribute to the growing efforts of developing women's archives, the present book brings together the works of numerous researchers from various disciplines. The researchers took part in this book for sharing information and experiences about ..
