| Description |
1 online resource (xxi, 268 pages) : illustrations |
| Series |
Musical cultures of the twentieth century |
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Musical cultures of the twentieth century.
|
| Contents |
Identifying "choreomusical research" / Inger Damsholt -- Choreomusicology beyond "formalism": a gestural analysis of Variations for orchestra (Stravinsky-Balanchine, 1982) / Massimiliano Locanto -- Ways of knowing: social dance, music, and grounded cognition / Lawrence M. Zbikowski -- Acts of transformation: strategies for choreographic intervention in Mark Morris's settings of existing music / Stephanie Jordan -- Reflecting on time while moving: dance notations from the nineteenth to the twenty-first century / Claudia Jeschke -- Is choreo-graphy a matter of time or space? For an epistemology of perception through dance notation history / Marina Nordera -- Finding the body in twentieth-century musical notation: on gestures, "hypertablatures", and performing without instruments / Nicolas Donin -- Experimental relations between music and dance since the 1950's: sketch of a typology / Julia H. Schröder -- When the composer's artistic aims clash with the choreographer's autonomy: Sylvano Bussotti, Aurel Milloss, and the "choreographic mystery" Raramente (1970-71) / Ulrich Mosch -- Remembering folklore, staging contemporary dance: conceptual and methodological issues about D'après une histoire vraie (2013) by Christian Rizzo / Susanne Franco -- Empathic entanglements: music, motion, dance / Eric F. Clarke -- Motormimetic features in musical experience / Rolf Inge Godøy -- Hearing touch and the art of kinaesthetic crossmodality / Dee Reynolds -- Aethetics, neuroaesthetics and embodiment: theorising performance and technology / Susan Broadhurst -- Computational models of expressive movement qualities in dance / Antonio Camurri |
| Summary |
"Music-Dance explores the identity of the choreomusical work, its complex authorship, the cognitive processes involved in dance performance and its modes of reception. Scholars of dance and music analyse the ways in which the musical score changes its prescriptive status when becoming part of choreographic project, the encounter between sound and motion on stage and the intersection of listening and sight in the act of reception. As well as being of interest to musicologists considering issues such as notation, multimedia and the analysis of performance, this volume will also appeal to those interested in applied research in the field of cognition and neuroscience. The line-up of authors includes representative figures of today's 'choreomusicology', dance historians, scholars of twentieth-century composition, and specialists in cognitive science and performance studies. Coverage includes: the relationships between sound and motion in dance performance; the notational practice of choreographers and the parallel attempts of composers to find a graphic representation for musical gestures; the experience of dance as a paradigm for a multimodal perception, which is investigated in terms of triggering emotions and specific forms of cognition; notation, multimedia and the analysis of performance."--Provided by publisher |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force. WlAbNL |
|
Print version record |
| Subject |
Music and dance.
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Music -- Philosophy and aesthetics.
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Dance -- Philosophy.
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MUSIC -- Instruction & Study -- Theory.
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Dance -- Philosophy
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Music and dance
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Music -- Philosophy and aesthetics
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| Form |
Electronic book
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| Author |
Veroli, Patrizia, editor.
|
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Vinay, Gianfranco, editor.
|
| ISBN |
9781315271996 |
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1315271990 |
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9781351986755 |
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1351986759 |
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9781351986748 |
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1351986740 |
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