Description |
1 online resource (282 p.) |
Series |
Cambridge Studies in Nineteenth-Century Literature and Culture Ser. ; v.135 |
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Cambridge Studies in Nineteenth-Century Literature and Culture Ser
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Contents |
Cover -- Half-title page -- Series page -- Title page -- Copyright page -- Dedication -- Contents -- List of Figures -- Acknowledgments -- Introduction -- (Re)Defining Collaboration -- Chapter 1 Adam Smith's Liberal Sympathy -- "Enter[ing] into" Smithean Sympathy -- Tracing Sympathy in the Long Nineteenth Century -- Sympathetic Collaboration and Smithean Liberalism -- Liberal Impulses of a Sympathetic Poet -- Chapter 2 "O You Pretty Pecksie!": The Collaborative Process of Mary Shelley and Percy Bysshe Shelley -- Circulating Feeling in Travels and Shared Life-Writing |
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Reunifying Circles: Free Love and Ideal Sympathetic Communities -- Constructing Frankenstein: Animating Sympathetic Narratives -- Chapter 3 Written-Visual Aesthetics: The Rossettis and the Pre-Raphaelites -- The Golden Age of Illustration: Books as Social Processes -- Epistolary Evidence in The Prince's Progress (1866) -- Situating Christina Rossetti within the Brotherhood -- Concord between Illustration and Verse -- Christina's "Inner Consciousness": Sympathy and Social Concern -- Coda: Towards a "Totalized Art" |
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Chapter 4 Typographical Adventures: William Morris, Community, and the Kelmscott Press -- The William Morris Paradox -- Circles of Sympathy: Smith's Impartial Spectator and Liberal Community -- Social Experimentation and Typographical Adventure -- "Sympathetic Translation": Concord in the Ideal Book -- "Part of a Whole": Morris's Ideals versus Victorian Practice -- Morris's "little job": Producing the Kelmscott Chaucer -- "Fingers, Eyes, and Sympathy": Robert Catterson-Smith and Edward Burne-Jones -- "A Thing Is Either All Right or Wrong" |
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Morris and Charles Gere's Collaboration for News from Nowhere -- Pleasure in the "Lesser Arts" -- Chapter 5 Sim and Puss: The Sympathetic Mirroring of Michael Field -- Crossing and Interlacing: Writing as Mosaic -- A Textured Approach to Life-Writing -- Sympathetic Transportation to Edinburgh -- Collaborating with the Past in Decadent Drama and Balladry -- Metrical Transport and Transgressive Remembrance -- Chapter 6 Towards Empathy: Vernon Lee's Psychological Aesthetics -- Fluidity of Transition: From Sympathy to Empathy -- A Partnership of "Loose End[s]" |
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Individual or Communal?: Waking from "False Aestheticism" -- The Companionate Nature of Belcaro -- Isolating Effects of Empathy -- Conclusion -- Notes -- Introduction -- 1 Adam Smith's Liberal Sympathy -- 2 "O You Pretty Pecksie!" -- 3 Written-Visual Aesthetics -- 4 Typographical Adventures -- 5 Sim and Puss -- 6 Towards Empathy -- Conclusion -- Bibliography -- Index |
Summary |
Examining social and material dimensions of collaboration, this book reveals the diverse networks of nineteenth-century literary exchange |
Notes |
Description based upon print version of record |
Form |
Electronic book
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ISBN |
9781009075701 |
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1009075705 |
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