| Description |
viii, 305 pages : illustrations ; 24 cm |
| Contents |
Machine derived contents note: Translators' introduction -- 1. 'New Music' as historical category -- 2. Progress and the avant garde -- 3. Avant garde and popularity -- 4. New Music and the problem of musical genre -- 5. Problems of rhythm in the New Music -- 6. Tonality: structure or process? -- 7. Schoenberg's poetics of music -- 8. Schoenberg's aesthetic theology -- 9. Schoenberg and programme music -- 10. Musical prose -- 11. Emancipation of the dissonance -- 12. What is 'developing variation'? -- 13. Schoenberg and Schenker -- 14. Schoenberg's Orchestral Piece Op. 16, No. 3 and the concept of Klangfarbenmelodie -- 15. 'The Obbligato Recitative' -- 16. Expressive principle and orchestral polyphony in Schoenberg's Erwartung -- 17. Schoenberg's late works -- 18. The fugue as prelude: Schoenberg's Genesis composition, Op. 44 -- 19. Rhythmic structures in Webern's Orchestral Pieces, Op. 6 -- 20. Analytical instrumentation: Bach's six-part ricercar as orchestrated by Anton Webern -- 21. Schreker and modernism: on the dramaturgy of Der ferne Klang -- 22. Structure and expression in the music of Scriabin -- 23. Plea for a Romantic category: the concept of the work of art in the newest music -- 24. On the decline of the concept of the musical work -- 25. The musical work of art as a subject of sociology -- 26. Form Translated by Stephen Hinton -- 27. Composition and improvisation -- 28. A rejection of material thinking? -- Notes -- List of sources -- Index |
| Analysis |
Austrian music Schoenberg, Arnold - Critical studies |
|
Austrian music Schoenberg, Arnold 1874-1951 |
| Notes |
Includes index |
| Bibliography |
Bibliography: pages 298-299 |
| Notes |
Translated from the German |
| Subject |
Schoenberg, Arnold, 1874-1951 -- Criticism and interpretation.
|
|
Schoenberg, Arnold, 1874-1951.
|
|
Music -- 20th century -- History and criticism.
|
|
Music -- 20th century.
|
| LC no. |
87006360 |
| ISBN |
0521332516 |
|
