Limit search to available items
Book Cover
Book
Author Cunha, Dilip da, author

Title The invention of rivers : Alexander's eye and Ganga's descent / Dilip da Cunha
Published Philadelphia, Pennsylvania : University of Pennsylvania Press, [2019]

Copies

Location Call no. Vol. Availability
 MELB  915.409693 Cun/Ior  DUE 08-05-24
Description xii, 338 pages : illustrations (chiefly color), maps (chiefly color), plans (some color) ; 23 x 27 cm
Series Penn studies in landscape architecture
Penn studies in landscape architecture.
Contents Introduction. River Literacy -- Alexander's Eye and Ganga's Descent -- COURSE. River of Rivers -- Separating Ganga -- SOURCE. Waters of Eden -- Calibrating Ganga -- FLOOD. Ocean of Rain -- Containing Ganga -- Conclusion. River Colonialism
Summary Dilip da Cunha integrates history, art, cultural studies, hydrology, and geography to tell the story of how rivers have been culturally constructed as lines granted a special role in defining human habitation and everyday practice. What we take to be natural features of the earth's surface, according to da Cunha, are products of human design and a particular way of seeing that has roots stretching as far back as ancient Greek cartography. Although Alexander the Great never saw the Ganges, he conceived of it as a flowing body of water, with sources, destinations, and banks that marked the separation of land from water. This Alexandrine view of the river, da Cunha argues, has been pursued and adopted across time and around the world. With ever more sophisticated mappings of its form and characteristics, the river's essential features are refined and standardized: its source identified by a point; its course depicted as a stroke; and its propensity to flood imagined as the erasure of the boundary between water and land. While da Cunha's vision of rivers is a global one, he takes an especially close look at the Ganges, as he traces the ways in which it has been pictured, mapped, surveyed, explored, and measured across the millennia. He argues that the articulation of the river Ganges has placed it at odds with Ganga, a "rain terrain" that does not conform to the line of separation, containment, and calibration that are the formalities of a river landscape. By calling rivers into question, da Cunha depicts an ecosystem that is neither land nor water but one of ubiquitous wetness in which rain is held in soil, aquifers, glaciers, snowfields, building materials, agricultural fields, air, and even plants and animals
Bibliography Includes bibliographical references and index
Subject Rivers -- India -- History.
Water -- Symbolic aspects -- India.
SUBJECT India -- Historical geography. http://id.loc.gov/authorities/subjects/sh2008115429
India http://id.loc.gov/authorities/names/n80125948 -- Geography. http://id.loc.gov/authorities/subjects/sh00005919
Ganges River (India and Bangladesh) http://id.loc.gov/authorities/subjects/sh85053016 -- History. http://id.loc.gov/authorities/subjects/sh99005024
Genre/Form History.
LC no. 2017034901
ISBN 9780812249996 (hardcover ;) (alkaline paper)
0812249992 (hardcover ;) (alkaline paper)