| Description |
1 online resource |
| Series |
NYU series in social and cultural anaylsis |
|
NYU series in social and cultural analysis.
|
| Contents |
Introduction: Against positive images -- Black personhood in the maw of abstraction -- Historical cadence and the nitty-gritty effect -- Telling it slant -- Coda: The literary advantage |
| Summary |
In a major reassessment of African American culture, Phillip Brian Harper intervenes in the ongoing debate about the 'proper' depiction of black people. He advocates for African American aesthetic abstractionism - a representational mode whereby an artwork, rather than striving for realist verisimilitude, vigorously asserts its essentially artificial character. Maintaining that realist representation reaffirms the very social facts that it might have been understood to challenge, Harper contends that abstractionism shows up the actual constructedness of those facts, thereby subjecting them to critical scrutiny and making them amenable to transformation |
| Bibliography |
Includes bibliographical references and index |
| Credits |
Book design and composition by Nicole Hayward |
| Notes |
Print version record |
| Subject |
African American aesthetics.
|
|
Abstraction.
|
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African American arts -- Themes, motives
|
|
abstraction.
|
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SOCIAL SCIENCE -- Discrimination & Race Relations.
|
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SOCIAL SCIENCE -- Minority Studies.
|
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Abstraction
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African American aesthetics
|
| Form |
Electronic book
|
| ISBN |
9781479808878 |
|
1479808873 |
|
9781479867981 |
|
1479867985 |
|
